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In 1974 eccentric French acrobat Philippe Petit walked a tightrope between the recently completed Twin Towers of the World Trade Center. He and his team of accomplices, aware of the illegality of what they were doing and the complex physical challenges of rigging a cable between 400-metre-tall skyscrapers (let along walking on it), spent months scheming in secret. On the day, any number of unforeseen circumstances could derail the intricate plot. The Walk recreates the feat in vertiginous detail.
The Federal Government plans to legislate within weeks to strip certain dual nationals of their Australian citizenship. Extending the already existing draconian ministerial power to overturn review tribunal decisions into the area of citizenship is unwarranted. Such an important determination should require the testing of solid evidence, not merely a minister's assessment of the 'national interest'.
Nathan has been able to refine Ava's software thanks to his unmitigated access to internet users' search data, as well as to their telecommunications. Caleb, too, wonders if his attraction to Ava is due to her design being based on a review of his internet pornography profile. It is no coincidence that Ava replicates an idealised version of the female form. Nathan's and even Caleb's relationship to her is fundamentally exploitative and voyeuristic.
A fair minimum wage has to be fair to workers with family responsibilities, many of whom are currently working poor and living in poverty. But in its 2014 Annual Wage Review decision, the Fair Work Commission decided that the 'appropriate reference household for the purposes of setting minimum wages is the single person household'. This was the first time in more than a century of minimum wage setting that an industrial tribunal has decided that minimum wages should exclude the needs of the low paid with families.
Riggan's ego is immense. The action takes place backstage during the days leading up to the premier of his latest vanity project, and onstage during a series of previews. Riggan is out of his depth, prone to humiliating blunders, including one that results in a near-naked dash through the crowds of Times Square. But his resolve to affirm his greatness in the eyes of a media and public that has dismissed him is maniacal.
Professor Ian Harper's Competition Policy Review could lead to radical change in the public services in which our governments invest over $184 billion (or 12.1 per cent of GDP) each year. Time-honoured public service values that include citizenship, fairness, justice, representation and participation, are threatened when services are seen as products that can be broken up and sold on the market.
Winning the prestigious Man Booker prize has given Richard Flanagan's 2013 novel The Narrow Road to the Deep North precious new shelf life. I've long considered Flanagan an alchemist - giving everyday words an unmistakable verve and turning a phrase until it takes flight. But he's also a proud Tasmanian storyteller who now has the world's ear.
Satirist David Hunt's best-selling Girt The Unauthorised History of Australia prompted Joe Hockey to offer him a job as speech writer. There’s plenty of dirt. Australia was the place to be, writes Hunt, 'unless you were black. Or a woman. Or gay. Or suspected of being Irish. Or even worse, all of the above'.
Reviewing Cardinal Pell's evidence to the Royal Commission in August, I have concluded that Catholics need to accept moral responsibility and legal liability for all child sexual abuse committed by clergy prior to 1996, regardless of what might be the moral or legal position after 1996 when improved measures for supervision and dismissal of errant clergy were put in place.
Federal Education Minister Christopher Pyne has supported a national curriculum, while some observers have cautioned that it is not the panacea for improving educational standards that many may hope for. The Federal Review report released in the past week addresses many of the concerns, and on the whole their recommendations seem appropriate and constructive.
As with her previous films, Kelly Reichardt is interested in people moving through and reacting to their landscape. In Night Moves, the drama comes from the way the characters' reaction to their environment cuts them off from the world around them. This refusal to connect turns toxic.
View this week's offering from Eureka Street's award winning political cartoonist.
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