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Through exploring the work of nine Catholic American authors — with special focus on Flannery O’Connor, Toni Morrison, Cormac McCarthy and Don DeLillo — Longing for an Absent God boldly attempts to discover what it is about faith and the desire for transcendence that exerts such influence over the popular imagination.
The ‘no religion’ question is complicated and interesting and connected with social change. We live in a much more complex world than previously. Even in my own childhood, it was accepted as a fact that most people were believers of varying degrees of conviction and form. Agnosticism and atheism were not matters for discussion.
The Church must speak up to be relevant, but those who seek to ‘speak for the church’ must be brave. They risk exposing themselves to claims of bias unless they stick to a very narrow agenda and speak in extremely measured terms. Yet if they are too bland they risk being irrelevant to the sharp end of political debate and their intervention becomes little more than a symbolic ritual.
It is highly doubtful that the Essendon Football Club appreciated the reaction that would occur when it presented its new CEO, Andrew Thorburn, with the option of giving up his role as a lay leader in the City on a Hill Anglican Church or resigning from his role with the Club. Even if many were uneasy about how the issue was caught up in the culture wars, it caused widespread concerns amongst people of faith.
Many Catholics will have found the news from Germany this past week painful. A law firm, Westpfahl Spilker Wastl, has presented findings in its investigation into historic sexual abuse in the Munich archdiocese. Running to 1,000 pages, the report is shocking: it lists at least 497 victims for the period 1945–2019 and identifies 235 probable offenders including 173 priests and nine deacons.
In recent days, if you were to listen to the media reports, you could be forgiven for thinking that religious educators want to retain a right to exclude children or teachers from their schools on the basis of their gender or sexual orientation. Nothing could be further from the truth. Or nothing should be further from the truth.
Even as he sustains the papacy’s now traditional opposition to all forms of war and its emphasis on the extreme suffering war brings, especially to the innocent, Pope Francis has, in recent weeks, taken a different, more partisan approach which he and others must feel is justified.
The Plenary Council (PC) is over and the time has come for assessments. What did it achieve? In positive terms it brought together an enormously generous group of people whose dedication to Catholicism is extraordinary. It also demonstrated the diverse complexity of the community.
In reflecting upon the Statement from the Heart, we need to explore what it is, what it is not, and how it works. The creative dynamic of the Statement is that it is a tool of justice and heart-healing. It is restorative justice writ large, involving the elements that make up the process leading to a resolution of the past and a creative response to the future by enacting justice in the present.
The Synod of Bishops, to which all People of God in Australia have now had their attention redirected after the Plenary Council, is another gigantic exercise in consultation and discernment undertaken by the Church. The possibilities for progress are inspiring, but also hedged around by enormous pressures of time and capacity. In a sense it is the Plenary Council writ large.
This year's International Day for the Elimination of Violence against Women is particularly significant because it follows shortly after the release of the National Plan to End Violence against Women and Children, a ten year project to eliminate violence against women in a generation. Of course, large initial hopes may be disappointed, but the implementation of plans is always the most difficult challenge.
Paulie had a childlike delight in taking the mickey out of everything and everyone and acting outrageously. The stories of the Painters and Dockers’ engagement with their equally wild audiences and the public, full of hilarious encounters, display the same innocence and the same sublimated rage. If it was his brother Tony’s death that set him on his madcap journey, Paulie has shaped his own life as a monument for Tony more durable than marble.
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