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There are more than 200 results, only the first 200 are displayed here.
‘We removed him from the mausoleum’, wrote the Soviet poet Yevgeny Yevtushenko. ‘But how do we remove Stalin from Stalin’s heirs?’ The poem was published in 1962 but it’s still a good question. Today one of Stalin’s heirs commands a barbaric war against Ukraine with the enthusiastic cheerleading of another such heir – the leader of the Moscow Patriarchate reestablished by Stalin.
We recently celebrated World Poetry Day, which gives poets, both public and private, a day in the sun. It also renews old conversations about why poetry might be important and whether all poems should rhyme.
Precipitation before thunder/anticipation in the dusty wings/ premonition & catalyst/excavation site unseen/the poem poised to be written/a treble clef before dancing notes/the dapple around the whisper/a story unbirthed & untold.
I circle the huge granite standing stone sunwise three times, as my ancestors did long before the designs of cranes and coins, of theory. ‘Tell me how and what they thought.’ No answer but the wheeling murmuration of a thousand starlings. A stubble field.
It's as though it's suddenly turned winter, the way the earth is covered over and the grey stretch of ash is drawn up to its chin like a blanket. And though it's day, the bird-less quiet is a kind of night, and everything we ever thought we knew has been turned upside down, the first now last, and the last first.
Hi Leunig. I saw that cartoon you made about me. You know the one. There’s a mum looking at her phone and she doesn’t realise her baby's fallen on the ground and it comes with this twee poem about how the baby wishes his mother loved him more. This is awkward. I remember that day well.
Robert Harris' The Gang of One ranges through Harris' five published books and a number of uncollected poems. Early work grows from his occasionally lonely, knockabout life and reveals not only a talent for catching the essence of fleeting memories and perceptions but also a mordant touch that gives edge to memory.
The Five Quintets is a long, conversational poem of almost 350 pages. In an age that focuses on detail, its topic is vast: the nature of Western modernity and its future. In a secular age its perspective is unobtrusively but deeply religious. It is therefore unlikely to make the best-sellers list. But it is an important and rewarding work.
Mary Oliver, who died recently, came to realise it's not just kneeling and kissing the ground that needs to be encouraged, but that the natural world itself, which fed and sustained her creatively and emotionally for a lifetime, is now endangered. We are in danger of wrecking creation.
The sound of the didgeridoo would be heard throughout the land. On each street corners buskers would mark out their patch, playing violins, oud, piano accordion, berimbau, nyatiti, cello, mouth organ, zither, anklung or daduk singing the love songs and epic poems from the many civilisations that have enriched Australia.
The concurrent symptoms for this poem: vague staring into mid air; take to their bed; not eating or drinking regularly; not toileting; not responding. Imagine a child without light in their eyes. It is not a flash back. It is now. It is the Australian people.
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