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Keywords: Netflix

  • ARTS AND CULTURE

    'Racist' Luke Cage's case for black justice

    • Tim Kroenert
    • 12 October 2016
    2 Comments

    Representation of minority identities in popular entertainment is key to amplifying and dignifying those identities and their stories. Conversely, the lack of representation is a form of silencing. It's why the charges of racism laid against the all-black Luke Cage is so laughable. 'I will never get tired of seeing a bullet-proof black man,' series creator Cheo Hodari Coker told the LA Times earlier this month, positing the character as a riposte to the phenomenon of police shootings of unarmed black men in the US.

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  • ARTS AND CULTURE

    The tyranny of the clock

    • Darby Hudson
    • 13 April 2016
    3 Comments

    Thinking my jadedness of the nine-to-five was vindicated, I crossed the road at lunchtime where this tow-truck was waiting its turn at the lights. The trucker had 'Born on the Bayou' by Credence blasting through open windows. Thought he had an amazing sound system. Then realised he had a drum-kit set up on his dash and was going for it with his sticks in time to the tune. He made his day job look easy — and all of a sudden I felt like a small little angry man. He made my week.

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  • ARTS AND CULTURE

    Abuse survivor's other superpowers

    • Tim Kroenert
    • 19 November 2015
    1 Comment

    Following its whitewashing of 'wife-beater' Ant-Man and the Black Widow slut-shaming debacle, Marvel has a long way to go to show it is not one big boys club. Alias, basis of the new series Jessica Jones, is one example of a modern day Marvel comic that, in the words of pop culture critic Roz Kaveney, offers a 'rebuke to the convenient pieties of the comic book', by proving that comics can be thematically rich, and can take serious issues — such as the physical and sexual abuse of women by men — seriously.

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  • AUSTRALIA

    Netflix and Fairfax in an uncaring new media environment

    • Michael Mullins
    • 30 March 2015
    4 Comments

    Netflix and the Daily Mail are not concerned about whether people in a local area get safer roads or a new cancer treatment centre. Nor, it seems, are Fairfax and Newscorp. There was a time when nearly all media outlets were independent of each other, and locally owned by proprietors who cared as much about the welfare of their regions and cities as they did their own bottom line.

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