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Christian defeats a bully using violence more severe than that which he suffered. He learns a frightening lesson about the capacity of violence to still conflicts. Casey Heynes, whose videoed retaliation against a school bully became a hit on YouTube, can probably relate.
A hollow booming is the only result of the sickly goatherd's urgent knocking on the church door on the night before his death. The image makes a sad irony of the man's simple faith in the healing power of the ash he earlier swept off the church floor.
Gallipolli was a disaster and a relatively minor conflict, but it is upon such 'minor' conflicts that Empires are built. These songs go to the heart of a contradictory dilemma: the love of country on the one hand and the ugly extremes of patriotism on the other.
The release on Saturday of Burma's democracy hero Aung San Suu Kyi, and last week's Australian high court decisions regarding refugees and bikies, each contain salutary lessons for governments that attempt to rule by popular fear.
Brent's father was recently killed in a car accident. Brent, on his L-plates, was driving the car at the time. He has declined into a drugged and depressed daze. The ordeal he soon undergoes awakens a renewed will to live.
Milestones are the arbitrary roadhouses on our respective roads. One person's marriage is another person's train wreck. Quiet moments between people are often greater: a softly spoken confession to a friend, or the instant you meet someone's eyes in mutual acknowledgment of a moment just passed.
It is appropriate to attend to the complex patterns of sin that are involved in abuse and its consequences. This kind of gaze resists the temptations to deny or to minimise the extent of sexual abuse and the harm done by it.
The blurring of right and wrong in a world where civil structures have disintegrated, is seen in the Man's escalating wildness; his desperation to preserve the life of his son, and his conviction that the end of survival justifies a growing list of dubious means.
Back in March, I strolled the streets of Fitzroy in Melbourne's inner north with Warwick Thornton, trying to find a quiet spot for an interview. Two months prior to the release of his feature debut, Samson and Delilah, Thornton was quietly hopeful his film would be positively received.
'Prophets' don't predict the future; they read the complex signs that spell out how structures and systems generate poverty. Dom Helder Camara's words still speak to the financial crisis and the need to bring justice for the poor.
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