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There are more than 200 results, only the first 200 are displayed here.
So considerable are its strengths that Blade Runner 2049 is a future classic, to be discussed and dissected for decades. That it will become so while blithely reinforcing the primacy of the white male gaze in popular culture is to be regretted.
'I am being charged for items I did not buy and have never heard of. The cost of these 'purchases' was added to my normal Telstra phone bill. When I protested, Telstra said it was not involved, it simply administered the charges ... Entirely innocent from the start, I lose - no matter what happens.' On 23 August I wrote these words to Telstra for reasons that will soon become apparent.
In a ball of fire, Cassini's 20-year journey across the solar system came to an abrupt finale last week. The spacecraft's odyssey soon revealed not 12 but 62 moons orbiting the gas giant. The most significant of these is Titan, which harbours large quantities of liquid water, considered to be essential to the existence of life. Meanwhile back on Earth ...
The big media players eventually get what they want by wearing down the government of the day and latching on to whatever opportunity comes their way. This month the government handed them the reform they've long craved while Xenophon attempted to win some concessions. We can assume Australia's media market will now become more concentrated. What we don't know is whether Xenophon's trade offs will do enough to protect public interest journalism and media diversity.
As the mum of a 13 year old daughter, I'm trying to prepare her for adulthood in a world that will, at times, judge her for being female. She's at the beginning of her adolescent journey, when the future seems to hold so much promise but also new dangers. The one that gives me pause, in the odd moment when I allow myself to think about it, is what I can tell her about protecting herself from bad men who might want to harm her, without scaring her into believing all men are potential rapists.
The real call of Everyone's Business is to move beyond them and us to admitting that there is only us. If we are truly to build an inclusive and sustainable economy, it can't be just those in full time paid employment who are part of that economy. We take seriously the principles of neo-liberalism, letting the market decide. But we set limits on the market for the common good.
The general argument of the Australian Catholic Social Justice Statement on the economy is that Australia is a wealthy economy in which too many people are marginalised. In response to the litany of neglect and abuse that it details, the statement calls for a new view of the economy as the servant of people, and not vice versa.
The UK's Yorkshire moors seem like an ideal setting for a crude yet beautiful film about two shepherds falling in love. What's even better is a director bringing to the film his own history of such a place, adding the depth of familiarity with both the land and those who live off it. Such is the case with one-time Yorkshire farm boy Francis Lee's directorial debut, God's Own Country.
On Saturday 19 August at a gathering in Port Adelaide, two modern beleaguered groups, one Aboriginal, one non-Aboriginal, shared their current experiences in striving to protect their own lands and ways of life. Like the Gurindji, their struggle is with the federal government and, indirectly, with another big business: the nuclear industry. In contrast to the Gurindji struggle however, modern day communities and even families are being torn apart by enticements and pressures.
To get a good idea of where employment practices are headed, a good place to start is the music industry. Musicians have been the canary in the coalmine. The gradual removal of their work place rights, and even basic remuneration, points to what happens when there are no effective constraints on employers’ behaviour. Instead, they are being offered ‘exposure’—and, as one muso quips, ‘you can die of exposure.’
Reckless machoism is the trademark of President Rodrigo Duterte. He has vowed to stop at nothing in his bloody war against drugs and dissidents, and is unapologetic about increasing casualities incurred. Meanwhile, he demonstrates a terrifying disregard for anyone who opposes his agenda, and he delights in doing so.
One lone man daring to interfere with the evil plans of the rich and powerful: it’s not exactly a new angle, but there are a few scraps of satisfaction to be found in Joel Hopkin’s latest film Hampstead – just not in the realm of originality. It’s a sleepy story that meanders along with a mildly pleasant mediocrity.
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