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By any measure of moral progress, a society should be judged by how it treats those who are most vulnerable. Yet in Australia, people with disabilities continue to be treated not as citizens with equal standing, but as problems to be managed; an inconvenience to be contained within a labyrinth of bureaucratic delay and economic rationalisation.
In a world that sees refugees and immigrants as a threat, disregards the victims of war, trashes the environment, rewards self-interest and cheapens religious faith, Pope Francis wept with those mistreated, pleaded their cause and radiated joy and hope.
A growing number of female teachers in Australia are leaving the profession, citing daily sexual harassment from their own students. Fuelled by pornography and social media, the misconduct ranges from crude comments to deepfake abuse, raising urgent questions about safety, consent, and the culture festering inside today’s classrooms.
As Australia approaches a federal election, the bishops have offered a statement of gentle encouragement themed around hope. Yet in its caution and generality, it raises questions about missed opportunities for moral clarity, national relevance, and a more engaged voice in public life.
Across a range of divisive issues from gender to race to public health, newsrooms are increasingly blurring the line between reporting and advocacy. As language is reshaped to reflect activist priorities, and opposing views are treated as moral threats, journalism risks losing its most essential commitment: telling the truth plainly.
Australia’s political class might make grand promises, but for those on the margins — homeless, underemployed, struggling with addiction — these pledges mean little. The people who have been left behind know the game is rigged. As elections approach, they watch from the outside, knowing their vote was never meant to count.
David Szalay’s Flesh unfolds with quiet, mesmeric intensity, charting a life shaped by desire, disappointment and disaster. As the ordinary shades into the catastrophic, Szalay’s controlled, unshowy prose builds a world of betrayals, longings and subtle devastations, proving, once again, that no one writes the ache of being alive quite like him.
In Netflix series Apple Cider Vinegar, Belle Gibson’s wellness scam has been repackaged for the streaming era, perfectly illustrating how news, entertainment, and advertising function as overlapping parts of the same machinery to keep us consuming content.
Thirty years after the US pledged to protect Ukraine’s sovereignty, Zelensky arrived in Washington asking America to honour its promise. What he found was a White House willing to humiliate him because the cost of keeping its word has become too high.
What makes a writer? Is it exile, loss, or the relentless pull of history? In One Another, Gail Jones traces the lives of two outsiders—Joseph Conrad and a young Australian academic—both adrift between worlds, both seeking meaning in words. A novel about displacement, identity, and the burden of storytelling.
As cash fades from everyday transactions, its decline underscores a growing divide in access. With digital payments dominating and cash use dropping sharply, questions loom over the future of currency in an increasingly cashless society, and who might be left behind.
The shockwaves of the Hamas attack on Israel and the Israeli military’s response in Gaza have ignited protests, inflamed divisions, and prompted a reckoning with rising antisemitism. As hostilities pause, how should societies distinguish between legitimate criticism and rhetoric that fuels hate?
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