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Keywords: Hollywood

  • MEDIA

    #HollywoodSoMale

    • Catherine Marshall
    • 03 March 2016
    7 Comments

    Chris Rock's hosting of the Academy Awards was a win-win culmination of the #OscarsSoWhite campaign in which no actual person had to take the blame. Instead, a faceless institution named 'Hollywood' was rapped over the knuckles for its racism while the flesh-and-blood white faces that represented it could get on with the business of congratulating themselves. While all this mollification was going on, there was another, gargantuan prejudice saturating the air these celebrities were breathing.

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  • MEDIA

    2015 in review: Australia's film industry boys club

    • Rochelle Siemienowicz
    • 13 January 2016

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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  • MEDIA

    Australian film industry boys club needs redressing

    • Rochelle Siemienowicz
    • 23 November 2015
    10 Comments

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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  • INTERNATIONAL

    Rehabilitating Mexico's Hollywood image

    • Garry Westmore
    • 20 October 2015
    3 Comments

    Hollywood need not deny the violence cartels have perpetrated upon one another, members of the public, police and military. But to almost exclusively engage with Mexico in terms of this violence provides a badly limited perspective on that country. Hollywood does something similar when it goes to Africa and tells only stories of warlords and child soldiers. To do so brings nothing to the conversation, but merely exploits tragic situations for the benefit of laughs and action.

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  • ARTS AND CULTURE

    Rock star Streep and the uphill battle for Hollywood diversity

    • Tim Kroenert
    • 27 August 2015

    There's a running gag that in Hollywood there are few roles for women over a certain age, unless you are Meryl Streep. Of course it isn't really a joke, if you consider the consistently dire statistics regarding gender, age and race diversity in mainstream American films. Whatever you make of this deplorable inequality, there can be little doubt that Streep is an actor singularly dedicated to her craft, who works hard and throws herself with aplomb into the wide range of roles that come her way.

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  • ARTS AND CULTURE

    Birdman or (The Totally Expected Sin of Hollywood Narcissism)

    • Michael McVeigh
    • 01 March 2015

    With Birdman or (The Unexpected Virtue of Ignorance) winning the Best Picture Oscar, a lot of people are pointing out the fact that three of the last four Best Picture winners are about movies, or the act of making them. That's not including 2011 winner The King's Speech, which was about the art of performance. That Hollywood loves itself a little too much is an obvious, and probably valid, conclusion to draw. But the deeper question to ask is why films like Birdman resonate so strongly. Read more

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  • ARTS AND CULTURE

    Old age is not for sissies

    • Gillian Bouras
    • 05 February 2014
    10 Comments

    London journalist Adrian Gill refers to the 'incremental shutdown' of old age, British Prime Minister Disraeli, who died at the age of 77 after a life of great and varied achievement, stated that old age was a regret, while noted Hollywood star Bette Davis roundly declared 'Old age is no place for sissies.' In rural Greece, it is considered shameful to instal an old relative in a home, and most aged people see their days out amid their family.

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  • ARTS AND CULTURE

    Crime kids served celebrity gods

    • Tim Kroenert
    • 08 August 2013
    1 Comment

    'God didn't give me these talents and looks to just sit around being a model or being famous. I want to lead a huge charity organisation. I want to lead a country, for all I know.' In 2008–2009 a group of teenagers stole $3 million of jewellery and clothes from the homes of Paris Hilton, Lindsay Lohan and other Hollywood stars. Coppola portrays this as an outcome of materialism centred on celebrity worship.

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  • ARTS AND CULTURE

    Oscar-winning racism in Hollywood's mixed bag

    • Tim Kroenert
    • 28 February 2013

    After cataloguing the ways in which the film belittles and marginalises the experiences of black slaves, Williams laments the fact that such marginalisation continues to exist seemingly unnoticed in mainstream popular culture. The Oscar awarded to Django Unchained is the epitome of popular culture 'not noticing'.

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  • ARTS AND CULTURE

    Titanic sets human tragedy apart from Hollywood gloss

    • Tim Kroenert
    • 05 April 2012
    4 Comments

    Legend has it that upon its original release, Titanic was listed as running for two hours and 74 minutes, to placate 'dumb' Americans averse to films over three hours. Titanic's strength is not its trite central 'lust story' but its accumulation of small human tragedies against the disaster of the ship's final hours.

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  • ARTS AND CULTURE

    Hilary Clinton and Hollywood's gender war

    • Ruby Hamad
    • 04 March 2010
    3 Comments

    Remember the man who yelled 'iron my shirt!' at Hillary Clinton? No doubt Clinton knows the problems women face in their fight to be taken seriously in the workplace. Acclaimed The Hurt Locker director Kathryn Bigelow has similarly found that male peers seem more interested in her body than her body of work.

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  • ARTS AND CULTURE

    Film of the week

    • Tim Kroenert
    • 28 August 2008
    2 Comments

    During the 1970s, Australian cinema experienced what many now regard as its golden age. Who were the maverick filmmakers gleefully scuffing up the flipside of that glittering coin, and why does Phillip Adams despise them so?

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