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On May 3, the Prime Minister of the Solomon Islands, Manasseh Sogavare, vented his fury in parliament at ‘the continual demonstration of lack of trust by the concerned parties, and tacit warning of military intervention in Solomon Islands if their national interest is undermined in Solomon Islands.’ The targets of the speech — Australia and the United States — were clear enough.
The country’s most recent conflict — ongoing skirmishes with Russian-backed separatists in Crimea, Luhansk and Donetsk, just 230km east of here — had been memorialised at an open-air exhibition: a latticework of bronze flowers had been superimposed upon an ambulance wrecked in battle; bullet-ridden place names from affected villages were lined up like a column of condemned POWs.
Part of what makes community is what distinguishes community, what sets it apart. It might be an interest in music, or sport, a neighbourhood or a set of values or practices. Initially, at least, the extent to which we identify with the community will depend upon the extent to which those things that define or characterise it are important to us.
Moscow-based Director of the Russian International Affairs Council (RIAC)Dr Andrei Kortunov warned of its tragic consequences for Russia in an article published four days before the launch of his country’s invasion of Ukraine. The de facto partition of Ukraine, he said, as a result of the Kremlin’s recognition of the independence of the People’s Republics of Donetsk and Luhansk, will signify ‘the final formalisation of the division of Europe’ from which there may be no easy retreat.
Kermit the Frog, of enduring Muppets and Sesame Street fame, was always a favourite with my children and me: he was so amusing and appealing, and also had a way of unobtrusively communicating simple goodness along with the occasional moral message. He was also concerned with the most important matter of the self, so that in his most famous song he puts a positive spin on the matter of greenness, the colour of envy and jealousy.
At this point, the media cycle is mostly internal, and while the media is talking to itself, Scott Morrison is talking to a rapidly growing base with significant resources. The devil isn’t in the headline here, the devil is in the detail, in the appeal itself.
Ben Jonson is one of the great English Renaissance playwrights but he can also be challenging for the modern reader. When I first came to Jonson some years ago, I attempted a comedy from 1610, The Alchemist. I soon felt out of my depth. Conceding defeat, I put the book aside and told myself that there would be some ‘other time’. This year in Melbourne, with the theatres closed, the streets largely deserted, and travel restrictions firmly in place, that ‘other time’ arrived.
We don’t need further commentary that gives people who are well off yet another excuse to demonise people living in poverty and to blame them for their circumstances. It lets governments off the hook – governments which should be addressing the structural causes of poverty.
Well before the pandemic, the future for poetry’s slim volumes was looking far from healthy. Last November, the threatened closure of UWA Press, one of the largest publishers of poetry in Australia, drew attention to the narrowing opportunities for emerging poets to make their mark.
Over the last two years, money printing has created the illusion of strength in savings. But when reality resurfaces, and actual returns are required from actual economic and business activity, the global financial system will come under extreme stress.
For almost two years our pets have had us all to themselves. Everywhere I go now, the dogs follow: to the study, to the television, to the bathroom, to bed. I’m the recipient of that same loyal companionship sought out by so many during the pandemic: across the world, demand to adopt or foster animals — and dogs, in particular — has surged.
There is a three-way battle looming over the future of money and the stakes could scarcely be higher. Conventional money, mainly debt created by banks — the ‘folding stuff’ is only a tiny proportion of the total — is in trouble. Total global debt is now so large relative to the world economy it cannot be serviced, which is why monetary authorities have resorted to dropping interest rates. When they almost hit zero, the next step was quantitative easing (QE): printing money by getting the central bank to buy back government and corporate bonds and putting them on its ‘balance sheet’.
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