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A common argument is that publicly-funded artists take unnecessarily from the ‘average Australian’. In the current international crisis, this argument fails to recognise that artists and arts workers are just as deeply impacted financially by COVID-19 as the ‘average Australian’ in other industries.
Pope Francis’ latest encyclical letter Fratelli Tutti is, as we might have anticipated, a reflection on our times. The burden of the encyclical is to commend fraternity and social friendship and deplore selfishness and hostility in the response to the crisis.
The response to COVID has invited reflection about the relative value of one human death (and so of one human life) as compared with another. This is a radical question because it makes us ask whether the value of a human life is defined by economic wellbeing and by potential contribution to the economy, or by deeper qualities.
While the legislation was proposed as something of a measure of last resort, the numbers already tell a different story. Unfortunately, many of us with a disability look at these figures (and at the proposed legalisation of euthanasia in New Zealand, which will be voted on later this year) with a weary mix of familiarity and horror.
The China story, described this week by the ABC’s Director of News Gavin Morris as ‘the story of our times’, defies simplistic renderings, however much a significant part of Australian-based commentary masquerades as such. The rapid revolutions of the modern media cycle do not permit much nuance or lengthy historically informed pieces.
Ideology is a powerful presence in our lives. It works its way into our consciousness through the dominant discourses of government, media, institutional religion, legal frameworks, popular culture, advertising, all the means at the disposal of the powerful. Once we learn to recognise it we see it everywhere. If it feels like we were born into it, it is because we were.
Over the past few weeks we’ve seen the government pull out all the stops in an attempt to convince the Australian public to download the COVIDSafe App. There are plenty of issues with the app itself, including its technical flaws, and valid concerns around data privacy, security and the normalisation of surveillance. But the other fascinating aspect of COVIDSafe has been the commentary surrounding the app.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
How to make sense of what is going on? I think that there are ostensibly competing discourses at play. Apart from widespread community concern, or even fear, I see three different spheres of risk that are melding together in the collective (non-expert) consciousness: public health, personal health, and workplace health and safety.
If you're a teacher, acknowledging that you most likely have an LGBTQ student can give a whole new sense to your sex-ed lessons. It means you understands you're not just teaching straight kids about gay sex, but helping the queer teen in your classroom make smart decisions.
For our society to function responsively to what is now a dynamically changing context, we urgently need differently oriented governance. This will, no doubt, be unpalatable for some — both in government and in the general public. But without re-setting how we are governed, our land and our society will suffer further destruction.
If China spies upon Australia, Australia spied on East Timor. If China detains Uighurs in harsh conditions, so has Australia detained people in brutal and demeaning conditions on Manus Island. If China lays out money to nations on our region to secure its national interests, so does Australia, most notably to Nauru and PNG.
73-84 out of 200 results.