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There are more than 200 results, only the first 200 are displayed here.
I hung out with a group of Indian-Australians while I was a university student who called themselves 'curries', but the unspoken camaraderie that ensued from this self-identification stood in stark contrast to that time I was called a 'f***ing curry' by a passing car full of white people.
It is not difficult to imagine a scenario where the game of musical chairs in Australia will come to a shuddering end, imperilling the banks and dragging the economy into a deep recession. As we saw in the GFC in America and Europe, government money will be thrown at the banks to rescue them at the expense of ordinary citizens.
When misused power remains unchallenged, it is the most vulnerable who suffer most. The truism finds acerbic embodiment in the Slovak-Czech black comedy The Teacher, whose setting in 1983 communist-ruled Czechoslovakia provides a historical backdrop that doubles as an analogy for any socio-political context where power can be a means to personal ends.
Once upon a time, usury was considered a sin and lending was subject to strict controls. Now, the world is in the grip of usury. It cannot continue. At some point it will have to be retired, or swapped to equity. A good place to start is third world debt, which is the most immoral variant.
In literary studies, one of the most important requirements is the need to define one's terms accurately. It has always come as a shock to me that economics is almost completely devoid of such precision. Much of the terminology of the 'discipline' of economics is either nonsense, or thinly disguised tautologies.
On the face of it, it's a cautionary tale against relying on social media as a source of relationships and self-identity. That's a fairly retrograde take-home though, and the film is actually more than that; it's an exploration of loneliness and isolation that is universal despite a context that is very much of this moment.
There are very few examples of companies that have been able to genuinely change when confronted with new circumstances. It looks increasingly that Facebook and Google are approaching this situation. The challenge is likely to come from some quarter that is new and surprising, just as the demolition of conventional media came from companies that could have barely been imagined 20 years ago.
The push for politically correct language may be well intentioned enough, but its consequences are often appalling. It can rob us of one of the most important of all human freedoms: the right to use words to mean what we want them to mean.
About one in six newlyweds in the United States is involved in a ‘mixed marriage’, according to the Pew Research Center. At home, the percentage is higher; in 2009 approximately 42 per cent of marriages involved at least one partner who was not born in Australia.
I hung out with a group of Indian-Australians while I was a university student who called themselves 'curries', but the unspoken camaraderie that ensued from this self-identification stood in stark contrast to that time I was called a 'f***ing curry' by a passing car full of white people. You often hear from white people that they can't be called 'white' because that too is racist language. This reflects a flawed assumption that societal structures advantage and disadvantage people in the exact same way.
One of the 30 comedians, satirists, cartoonists and writers they interviewed was John Clarke. 'I first met John Clarke five years ago,' Murray recalls in his 1992 introduction to the interview, 'even though we grew up in the same town in New Zealand and for a while went to the same school. My claim to fame is that I nearly knew John Clarke. Recently when we looked though his school photos we realised that we knew every kid in Palmerston North in 1960 except each other.'
A film about a lonely widower who repeatedly attempts suicide seems like a grim proposition. Ove has suffered one too many blows in his life, the latest being the loss of his job. He finds himself at a loose end, if not purposeless. He is the self-appointed overseer of the gated community where he has lived for years, enforcing protocols of behaviour among his terrorised neighbours. Now he's had enough, and decides to join his beloved wife Sonja, in eternity. But dying doesn't come easily to Ove.
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