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The first thing to note about this 500th anniversary of the Reformation is that it is the first centenary celebration or commemoration that we have been able to share together and without rancour.
On the face of it, it's a cautionary tale against relying on social media as a source of relationships and self-identity. That's a fairly retrograde take-home though, and the film is actually more than that; it's an exploration of loneliness and isolation that is universal despite a context that is very much of this moment.
Some quick research can reveal whether a company has a good track record with LGBTI and other human rights. Do they donate to LGBTI charities? Do they have an inclusion and diversity policy on their website? It doesn't benefit equality in the long run if we allow businesses to brand themselves pro-same sex marriage when their support for human rights runs only as deep as a rainbow poster.
Much has been reported on the plight of the Rohingya in Rakhine state in Myanmar's west, where violence has seen more than 400,000 Rohingya Muslims cross into Bangladesh. Elsewhere in the country, local villagers continue to suffer the effects of a four cuts strategy, and are targeted if they are suspected of helping ethnic armies. In the country's north, aid has been slow to reach 20,000 Kachin villagers living in former gambling dens and warehouses along the China border.
'The evening news has become like a nature hike through the Book Of Revelations,' says Al Gore, the politician-cum-climate activist who made waves with his Oscar-winning 2006 documentary An Inconvenient Truth.
This week, the Australian Human Rights Commission released Change the Course. It is a landmark report into sexual assault and harassment at universities. The undertaking was propelled by survivors, student leaders and support organisations.
You used to have feet like a Russian ballerina/Arches (like ones plebeians would stand under, lose their breath for a moment)/The weight they carry remarkable for the/Tiny bones inside ... Despair stalks the house/Outside, like weather/Inside, like air/It has no form ...
It was recently announced that the thirteenth iteration of the main character in Doctor Who will be played by Jodie Whittaker. A woman. In 2017, the casting of a white woman in a major TV role is hardly revolutionary, except that the role is the Doctor, a regenerative alien who can take on the appearance of anyone, but has for 12 iterations tended towards the persona of a quirky British white man.
If used without thought, stock images can misrepresent and trivialise serious issues. I have the displeasure of living with Chronic Fatigue Syndrome, a hugely misunderstood and devastating condition. When I see an article on CFS, it is almost always beneath a stock photo of somebody yawning or with head in hands. These images contribute to society's misapprehension that CFS is exclusively related to sleep, making it even tougher for patients to live in a world already hard enough to live in.
One thing that is rarely done is a literary-style analysis of the language used in finance and business. It can quickly reveal the sleight-of-hand, even outright deception, that plague these powerful sectors. To take one example, finance language heavily relies on water metaphors, which are deeply misleading. It is unlikely that this is done deliberately; it is more probably reification (making the intangible appear to be concrete). But its consequences have been, and remain, devastating.
Australian kids are being bashed, raped, starved, scorned and otherwise treated with no dignity or kindness. The study states it is not simply a case of one-off abuse, noting that 'research has demonstrated that maltreatment sub-types seldom occur in isolation (e.g. sexual abuse is often accompanied by psychological maltreatment or physical abuse)'. That is difficult reading. It makes me sick to write it. But the paper should, in a just society, serve as a catalyst for a national conversation.
If two current Australian films are anything to go by, then one social issue weighing on local filmmakers in 2017 is the danger to women of emotionally and physically violent men. Neither film is a mere portrait of victimhood. The heroes of Cate Shortland's recent Berlin Syndrome and Ben Young's upcoming Hounds of Love - in the former, an Australian traveller in Europe, in the latter, a teenage school girl in suburban Perth - are ordinary women with both the will and capacity to fight back against their assailants.
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