INTERNATIONAL
- Gillian Bouras
- 30 July 2014
11 Comments
So there the marble figures lie, grey and blurred, and with an infinite capacity, I think, to touch the heart. The tomb was radical for its time, in the sense that Richard had decreed that his effigy should not be higher than Eleanor's; her figure also appears to lean towards his, and most moving of all, Richard's has one gauntlet removed, so that his bare hand holds that of his wife. Her feet rest on a little pet dog, his on a small lion.
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