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There are more than 200 results, only the first 200 are displayed here.
When exploring the ties between Federal Budget week and Laudato Si’ Week, it becomes clear there's an urgency to address economic inequality and climate change as a single, intricately linked problem. While the latest budget promises minor benefits, it lacks robust measures to tackle these major issues.
Prisons are settings to which TV and film writers return regularly. It’s because ‘the joint’ gives them an environment in which they can enact the dramatic principle of the crucible easily: tension between duelling inmate protagonists and antagonists is heightened quickly to boiling point because no one can simply walk away.
In a culture that shies away from ageing and death, the annual ritual of Ash Wednesday is a sobering reminder of our vulnerability and mortality. However, it also invites us to reflect on our failures and fallibility, and to recognize that life is not all about us, but about how we relate to others and contribute to their betterment.
In a world of differing opinions and clashing worldviews, finding common ground can be a challenge. But by staying curious and open-minded about others' experience and practicing patience and compassion, we can learn to work alongside others with different viewpoints.
Who will champion humane values, enshrine them in the development and workings of artificial intelligence? This is the question posed by Plato and Socrates to our generation, and one that demands our urgent attention as the line between the artificial and the human becomes increasingly blurred.
In a recent meeting Pope Francis met the editors of European Jesuit cultural magazines. As usual in such meetings he did not give an address but invited the participants to ask questions. The questions ranged across a wide area, reflecting the different readership and religious culture of the magazines. Underlying the Pope’s responses lay a challenging and coherent approach to the Jesuit mission and to communication that invites self-reflection also among Jesuit magazines and their readers outside Europe.
The Australian Tertiary Admission Rank (ATAR) is a number between 0 and 99.95, which indicates a student’s position in relation to their peers. Statistics from recent years provide troubling insight into the usefulness of the ATAR system, only further exacerbated by the growing number of dissatisfied students.
Sometimes it pays to sit still in a central business district, the aorta of any city, and nod in recognition to life as it passes you by. Bypassed from the stream, you watch and learn as the passers-by flow around you. Mystery and revelation. Connection and dissing. Peace and discord. Meaning, transcendence and futile, random pain. It’s all there if you look close enough. Pause long enough to witness the mysteries.
In Justice in Kelly Country, author Lachlan Strahan writes on the life of his great-great-grandfather, a policeman whose career stretched over thirty years. When a significant part of that story is intermeshed with such a fiercely contested story as Ned Kelly’s, telling it introduces the further complexities of the writer’s sympathies and judgments.
When people gather on Remembrance Day, commemorating the cease-fire at the end of the First World War, people take great pains to remember; a small acknowledgement of the horror of war, its loss, sacrifice and suffering. And in that time, it’s also worth pausing to reflect on those for whom wartime sacrifices and suffering are a daily reality. What do these people wish to remember?
At the end of the third episode of the Netflix biopic Dahmer – Monster: The Jeffrey Dahmer Story, as the ‘Watch Next Episode’ timer ran down, I turned it off and haven’t returned. At time of writing, Dahmer was the number three-ranked show on Netflix Australia. Why are viewers willing to watch? And against the scale of such horror, can there be any redemption?
I only wish when I was growing up there had been examples of autistic characters on television like Heartbreak High’s Quinni (Chloé Hayden), played by actors who are themselves autistic. Chloé Hayden is one of the first autistic actors to play an autistic character in a major TV series, and I feel angry that I didn’t see this sort of representation when I was younger. If I had, I may have realised I was autistic before I was in my 20s, which may have made my journey easier.
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