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Keywords: Greta Gerwig

  • ARTS AND CULTURE

    All sound and Furiosa

    • Eddie Hampson
    • 30 May 2024
    1 Comment

    With Furiosa, George Miller returns to the Mad Max franchise that launched his almost five-decade-long career. Apocalyptic wastelands with their cacophony of blaring engines and vistas of desert panoramas are second nature to him by now. But fans of the film (myself included) must sadly admit that Furiosa is tanking at the box office, and is only the most recent in a string of female-led actioners that have flopped.  

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  • ARTS AND CULTURE

    The duality of Barbie

    • Juliette Hughes
    • 23 August 2023
    2 Comments

    In Barbie, director Greta Gerwig maps out a journey from naive pink utopias to poignant real-world challenges. Drawing parallels from the 1960s Twiggy phenomenon to today's elusive ideals of feminine success, Gerwig's film becomes a mirror to our society's ever-shifting landscape of female identity and aspiration.

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  • ARTS AND CULTURE

    Another dog day for cultural appropriation

    • Tim Kroenert
    • 11 April 2018
    1 Comment

    The commentary around the film's appropriation of Japanese culture has been sustained and substantial. At least these allusions are for the most part detailed and respectful; that the hero is named after a defunct American video game company is less palatable. Trickier still are the creative decisions related to language.

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  • ARTS AND CULTURE

    Lady Bird's riposte to Hollywood sexism

    • Tim Kroenert
    • 28 February 2018
    8 Comments

    That Hollywood has a gender equality problem is not in doubt. The conversations around what constitutes assault and harassment, and about how Hollywood culture reflects and reinforces equality in society at large, is vital, and sophisticated. The standard of what we should expect is being constantly raised. It should be.

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  • ARTS AND CULTURE

    Raising feminist men in 1970s America

    • Tim Kroenert
    • 07 June 2017

    Abbie introduces Jamie to the paired liberating movements of punk rock and second-wave feminism. Both lead to illuminating experiences, from his first rock concert, use of alcohol, and kiss, to being beaten for casting aspersions on a peer's grasp of female sexual anatomy. His relationship with Julie on the other hand provides a difficult counterpoint. His peevish concern over her promiscuity is largely possessive; his theoretical understanding of women's agency falling down in the face of adolescent hormones.

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  • ARTS AND CULTURE

    Smiling face of a quarter-life crisis

    • Tim Kroenert
    • 22 August 2013

    Frances and Sophie had been virtually co-dependent; a celibate lesbian couple, they'd joke. But with a new circle of friends and a new fiancé, Sophie is quickly outgrowing Frances, and this throws Frances into disarray. She approaches life with wide-eyed wonder, and tries to maintain the wonder no matter what life throws at her. But endless optimism can be wearying work.

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