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Millions around the world tune in for Eurovision each year, making it one of the world’s most-watched non-sporting events. It’s a mess of all that is funny, camp and bizarre. And yet instead of exploring the boundaries of our collective imagination, it's often overshadowed by regional politics and conflict.
There is beauty in returning to places that experience has made so full of memory that they have become layered with meaning. Just as there is in hearing music that you have listened to at different moments of your life, and that is filled with meaning, not just for you, but even moreso for the artist standing before you and in myriad different ways for the audience with you.
Watching your child perform and be judged is a sure way to make you feel ‘all the feels’. Yet this is what happens every month throughout Australia at feis — Irish dancing competitions. Welcome to the world of competitive Irish dancing, which reaches peak visibility around this time of year because of St Patrick’s Day.
One trick used by those opposing the boycott of Eurovision is to describe Israeli colonialism as a 'conflict'. Instead of emphasising the importance of decolonisation, 'compromise' is celebrated. But compromise between the coloniser and the colonised is a dangerous political game.