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Ridley Scott’s Gladiator II promises grandeur. Paul Mescal dazzles, Denzel Washington commands, and sharks make their sword-and-sandals debut. But spectacle overshadows story in a sequel that’s more baffling than breathtaking. Are we entertained? Sort of.
After decades of cinematic highs and notorious flops, Francis Ford Coppola self-financed this grand spectacle — his boldest gamble yet. But in a film landscape that favors safe bets, can Megalopolis rise to the occasion, or will it be a final, glorious folly from one of cinema’s greats?
Blanche DuBois is a character defined by her fragility, and her descent into madness is a harrowing testament to the pressures of a society that offers little mercy to women. But when Blanche is portrayed as a figure of power and defiance, she lacks the vulnerability of her predecessors and the logic of her descent into ‘madness’ isn’t as clean-cut.
With Furiosa, George Miller returns to the Mad Max franchise that launched his almost five-decade-long career. Apocalyptic wastelands with their cacophony of blaring engines and vistas of desert panoramas are second nature to him by now. But fans of the film (myself included) must sadly admit that Furiosa is tanking at the box office, and is only the most recent in a string of female-led actioners that have flopped.
What at first appears to be a light-hearted romantic comedy glosses over the dark intensity of Challengers. The tangled and obsessive nature of the relationships within a love triangle mirrors the sport at the centre of Luca Guadagnino's latest.
Sofia Coppola's latest biopic Priscilla focuses on the King of Rock’n’Roll’s queen, turning the mythic pairing on its head. Since Elvis' death, Priscilla Presley has made numerous revelations about life inside Graceland, effectively demanding a public reappraisal of her relationship with Presley.