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There are more than 200 results, only the first 200 are displayed here.
As the world continues spiralling into total chaos, there remains, shockingly, absolutely nothing to watch on any streaming service. And I’m not talking about a lack of options – there’s enough content to drown in, while, ironically, leaving us parched. I know how Coleridge’s mariner must have felt.
Flanagan’s new book, Question 7, a beautiful and profound reading experience. It is a deeply personal memoir, a net woven from many threads. It traces the fine lines that link stories across time and around the world.
Why another Christmas Carol and why now? This version takes a detour from Dickens’ original delving deeper into Scrooge’s past, painting him not just as a villain, but as a victim of circumstances. It suggests that behind every act we hastily label as ‘cruel’ lies a story of fear and anxiety, and a flesh-and-blood human being. And forgiveness, then, becomes an acknowledgment of our shared human frailty.
Catharine Lumby was a friend and beneficiary of Moorhouse’s mentoring and advice, and before his death, was approached by him to write a warts-and-all uncensored biography. In Frank Moorhouse: A Life, Lumby explores the life of this man of letters in all of its colour and contradiction.
While its virtues are ubiquitously / touted and near-idolized / as advantages in efficiency, / improved contact rapidity, / and enhanced global connectivity, / it takes but one malfunction, / not to mention piracy, / to wake us up to see / the cost is very high for / an increasing faith in / and dependency on / messianic promises and marvels
Stone Yard Devotional is a chronicle of a huge problem in our time: the sense of futility in all our efforts to amend. Wood may make us think, because despair is a constant stalker of the bravest of warriors against the destruction of the planet and the chronic toll of human evil. When compassion becomes a disabling burden, who or what can help?
The First Folio was published in November 1623. Shakespeare didn’t live to see his plays gathered together in the one place. His universe of words, his meteors of wit and description, his galaxy of human frailties and strengths, his shrouds of darkness and rays of light, were collected and bound by colleagues after his death in 1616, aged 52. The world owes them profound gratitude.
I don’t expect to find the leaves of a plant with your name formed by the veins. No god will have gifted you the future as a flower when flowers are losing their footholds.
It's curious how fragments of the past linger in our minds, waiting to be unearthed. But in an era where we're bombarded with endless content and quick digital answers, one wonders: Are these shortcuts eroding our ability to remember?
Set in a Melbourne bursting with bohemian allure, Chris Womersley's The Diplomat is a book of despair and the agony of regret. Intertwining the worlds of art, drug addiction and deception, the author confronts us with the question: how well can we truly know another?
Paul McCartney's concerts evoke a communal magic, lighting up arenas with shared cultural memory spanning generations. Seeing the legendary musician perform in concert, retaining a youthful vigour, the experience can feel like a poignant rendezvous across time.
In Killing for Country, David Marr confronts Australia's dark colonial past, revealing unsettling truths about the Australian Native Police's brutal acts. Published during the Voice referendum, Marr intertwines personal ancestry with national guilt, urging Australians towards truth-telling and reconciliation. This isn't just history; it's a call for atonement.
85-96 out of 200 results.