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This year we’ll be celebrating a different kind of Mother’s Day: there won’t be any fancy champaigne brunches with all the restaurants closed. Some of us in this COVID-19 crisis won’t even be able to visit our mothers. And many of us are out of work, too skint to buy flowers.
What turned out to be extraordinary was the familiarity of the subject matter, and the routines that Camus makes the authorities of the plague-ridden Algerian town Oran put in place: the quarantine, the isolation hospitals, the attempts to develop a vaccine, the volunteer health workers, and the way in which funerals were conducted in haste.
In Friends and Rivals Brenda Niall brings together four significant Australian women writers. Between them they published works from the 1890s to the 1950s. Ethel Turner and Barbara Baynton were from NSW. Nettie Palmer and Henry Handel Richardson were from Victoria, both schooled at Presbyterian Ladies College.
So rapidly have I adapted to this surreal existence in which we now find ourselves, the sound which was once an inseparable part of my morning routine — jets announcing the dawn as they droned overhead — has now become disturbingly anachronistic.
In these troubled times of COVID-19, most news bulletins concentrate on the daunting figures from Italy, Spain, Britain and the USA. Little countries don’t get much of a mention. Greece is a little country.
I don't want to sound too ungrateful, because there isn't a playbook for this scenario, but if all it took to build a passable digital schooling ecosystem was a week of hard work, we'd have done it long ago. We haven't been asked to turn on a dime, we've been asked to pirouette.
Already the ideological die-hards of neoliberalism are working out how the pandemic might be manipulated to lower wages and to snap back to the old economic normal. So now is when collectively we need to take over the framing and the forming of the future. Not to snap back but to spring forward.
Even during this period of disruption (and, indeed, even because of it) it is so important that we pay attention to the bigger picture. So much of what we do now will lay the groundwork for the kind of future that we are able to build at end of this crisis.
The ability to work from home or social distance is a class issue. How do you practice social distancing in the slums of Lagos, the favelas of Rio or the shanty towns of Bogota, the city where I was born? Here in Australia, it’s not much different for refugees, people seeking asylum and migrants in vulnerable situations.
Illness, so apparently explicit and ever more obvious as it progresses, in fact defies definition: submitting apparently to scientific and medical description, it escapes into a quality of pain, exquisite loss or appalled helplessness that is often most clearly captured at the heart of great works of art.
As more schools close to stop the spread of COVID-19, many parents are becoming instant homeschoolers. I’m a mum of six who started homeschooling before it was cool, and friends have been asking my advice.
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