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It was all very quiet, and the waterfront was practically deserted. But I suddenly noticed a sole woman right at the water’s edge. She had her back to me, but I saw her lift what was clearly an icon, which she then venerated. I couldn’t hear her precise words, but it seemed obvious she was repeating the forms of the liturgy to herself.
2021 is set to be a big year for women’s sports — dependent on COVID, of course. Yet, if you looked to the Australian mainstream media’s reporting and coverage of sports, there’s a fair chance you’d get an idea that women’s sports are happening far less than they actually are.
What will it take, I wonder, to change these people’s minds? In an era as politically divisive as the one Americans (and Australians, for that matter) are living through, nothing is likely to convince detractors that COVID is an omnipresent threat — except perhaps the only thing with tangible currency in this whole blasted catastrophe: the visceral consequences of the pandemic itself.
I was just fifteen years old when I was forced to run for my life. I dreamed of seeking a better education in Australia and becoming a pilot. Instead, I became a refugee in Indonesia, which does not recognize my existence and basic rights. I am even refused an education in this country. I have been in limbo for the last eight years.
The Australian community and its government are struggling to come to terms with the extremely serious allegations against members of the SAS for their alleged criminal misconduct during the war in Afghanistan. At the same time, we Catholics are experiencing a bad case of déjà as there are many echoes of how we felt when the Royal Commission into Institutional Responses to Child Sexual Abuse (RC) began in 2013.
Aden was a first and a trailblazer for a group of people who before her were long ignored in the mainstream fashion industry. She has many regrets and admits she made mistakes, but for a fresh-faced teenager who was given this huge responsibility, she says, she did good. I say different, she did bloody brilliant.
There is a good reason why the term Australian Catholic Church is frowned upon in official circles. It does not exist. Instead, it is a patchwork quilt of fiefdoms called dioceses. It lacks an energising central authority which, when it needs to, can generate and shape a national church response.
Magic, we’ve discovered in our first years of parenting, is an important part of raising children. It’s a lesson we’ve learned, at least in part, thanks to Bluey on the ABC. For those of you who haven’t yet encountered this little blue dog and her family, Bluey is the star of one of the ABC’s most popular Australian kids series.
Three people died within ten days of each other in the latter part of September who have gifted great legacies that call for reflection. I find reason to bring them together here in an attempt to highlight the threads that bind them; those of women of influence. Their stories are undoubtedly varied, yet they have all contributed to the broader advancement of women and ultimately, people.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
When watching a news clip recently I was taken by a young woman’s attitude to the coronavirus restrictions. When asked how they had affected her, she said simply, ‘It is what it is’. The answer suggested an impressive acceptance far from the outrage, frustration and resentment that in the circumstances would not have been surprising.
The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.
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