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Keywords: Virgin

  • AUSTRALIA

    Best of 2010: Commission flats fable

    • Virginia Millen
    • 12 January 2011

    He had the emaciated cheeks of an addict. She was smaller, toothless and aged beyond her years. As we closed our gate he struck her. She fell on the bitumen, lit by the headlight of a passing car. 'You touch her and I'll belt you too,' the man yelled to my partner.

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  • EUREKA STREET TV

    Best of 2010: Peter Kennedy's first year in exile

    • Peter Kirkwood
    • 11 January 2011

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  • AUSTRALIA

    A Muslim's view of Jesus the refugee

    • Irfan Yusuf
    • 22 December 2010
    17 Comments

    Jesus was born into a family of internal refugees. His mother had to seek refuge, fleeing Herod's nasty dictatorship. It's uncertain whether she used the services of satanic people smugglers.

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  • RELIGION

    A feminist's view of Mary MacKillop

    • Moira Rayner
    • 11 October 2010
    12 Comments

    Men's control over Christian women's religious lives has grown vastly over the centuries. Perhaps MacKillop might have agreed with Virginia Woolf, 'The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself.'

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  • AUSTRALIA

    Commission flats fable

    • Virginia Millen
    • 05 October 2010
    10 Comments

    He had the emaciated cheeks of an addict. She was smaller, toothless and aged beyond her years. As we closed our gate he struck her. She fell on the bitumen, lit by the headlight of a passing car. 'You touch her and I'll belt you too,' the man yelled to my partner.

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  • EUREKA STREET TV

    Art prize tests religious convention

    • Peter Kirkwood
    • 03 September 2010
    1 Comment

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  • EUREKA STREET TV

    Art prize tests religious convention

    • Peter Kirkwood
    • 03 September 2010

    The annual Blake Prize for Religious Art has never been far from controversy. Works honoured this year include Sydney artist Rodney Pople’s Cardinal with Altar Boy, which is a provocative painting dealing with clergy sexual abuse. Its setting is the interior of a beautiful baroque church, and it portrays a headless prelate dressed in ecclesiastical finery, with an altar boy in his lap.

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  • ARTS AND CULTURE

    The angel's telling smile

    • Michael Healey and Grant Fraser
    • 31 August 2010

    He is Gabriel, delicately boned, familiar, .. he has turned towards the Virgin .. who stands in her long solemnity, .. amongst the sober prophets, .. and the proper saints.

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  • RELIGION

    Caravaggio's profane eye for the sacred

    • Luke Walladge
    • 22 July 2010
    6 Comments

    If Caravaggio hadn't been such a drunken, violent, criminal, he may never have been human enough, disturbed enough or repentant of enough sin to produce the most arresting, influential and remarkable sacred art in the history of the Christian West.

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  • ARTS AND CULTURE

    Permutations of motherhood

    • Tim Kroenert
    • 17 June 2010

    Adoption is shown to be a tumultuous process, as joyful and painful in its own way as pregnancy and birth. Lucy is unable to conceive, but suspects that the motherly bond is about much more than biology. Her husband Joseph, by contrast, values biology greatly.

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  • EUREKA STREET TV

    Peter Kennedy's first year in exile

    • Peter Kirkwood
    • 07 May 2010
    31 Comments

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  • AUSTRALIA

    Politicising women's bodies

    • Catherine Marshall
    • 06 May 2010
    36 Comments

    What's the difference between wanting a thin wife and wanting an invisible wife? Which is more democratic: the western tendency to idealise the porn-star aesthetic, or the old-fashioned imperative for modesty and virtue? When the chips are down, is raunch culture really more dignifying than discretion?

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