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Keywords: Virgin

  • ARTS AND CULTURE

    Curing Kerouac's misogyny

    • Tim Kroenert
    • 27 September 2012
    2 Comments

    The book is essentially misogynistic. Women are objects of hedonistic possibilities in the same way that drugs are. Even the Kerouac figure Sal's self-deprecating account of failing to impress a virginal lover manages to marginalise the woman in question. The film seeks to rectify this by giving flesh to its female characters.

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  • ARTS AND CULTURE

    Polite parents of violent children

    • Tim Kroenert
    • 01 March 2012

    As with Christos Tsiolkas' The Slap, an act of violence involving children acts as a catalyst to exacerbate the adult characters' prejudices, insecurities and resentments. Aided by alcohol, civility is gradually stripped away as a polite gathering degenerates into bullying and abuse.

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  • MEDIA

    Virgin's sexism in the sky

    • Catherine Marshall
    • 20 February 2012
    33 Comments

    For all the things Qantas stands accused of — selling out its Australian employees, uncompetitive pricing, bad management — it appears to be respectful of women. A ticket on a Virgin flight, on the other hand, brings with it the allure of sex, the commodity on which the company's brand has been built.

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  • ARTS AND CULTURE

    Despite dementia

    • Various
    • 24 May 2011

    When you tried to walk through the wall you were still living at home. What did you see beyond the opacity of brick? You were so sure it would absorb you that moments passed before reality kicked in ...

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  • AUSTRALIA

    Best of 2010: Commission flats fable

    • Virginia Millen
    • 12 January 2011

    He had the emaciated cheeks of an addict. She was smaller, toothless and aged beyond her years. As we closed our gate he struck her. She fell on the bitumen, lit by the headlight of a passing car. 'You touch her and I'll belt you too,' the man yelled to my partner.

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  • RELIGION

    A feminist's view of Mary MacKillop

    • Moira Rayner
    • 11 October 2010
    12 Comments

    Men's control over Christian women's religious lives has grown vastly over the centuries. Perhaps MacKillop might have agreed with Virginia Woolf, 'The history of men's opposition to women's emancipation is more interesting perhaps than the story of that emancipation itself.'

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  • AUSTRALIA

    Commission flats fable

    • Virginia Millen
    • 05 October 2010
    10 Comments

    He had the emaciated cheeks of an addict. She was smaller, toothless and aged beyond her years. As we closed our gate he struck her. She fell on the bitumen, lit by the headlight of a passing car. 'You touch her and I'll belt you too,' the man yelled to my partner.

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  • ARTS AND CULTURE

    The angel's telling smile

    • Michael Healey and Grant Fraser
    • 31 August 2010

    He is Gabriel, delicately boned, familiar, .. he has turned towards the Virgin .. who stands in her long solemnity, .. amongst the sober prophets, .. and the proper saints.

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  • RELIGION

    Caravaggio's profane eye for the sacred

    • Luke Walladge
    • 22 July 2010
    6 Comments

    If Caravaggio hadn't been such a drunken, violent, criminal, he may never have been human enough, disturbed enough or repentant of enough sin to produce the most arresting, influential and remarkable sacred art in the history of the Christian West.

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  • AUSTRALIA

    Politicising women's bodies

    • Catherine Marshall
    • 06 May 2010
    36 Comments

    What's the difference between wanting a thin wife and wanting an invisible wife? Which is more democratic: the western tendency to idealise the porn-star aesthetic, or the old-fashioned imperative for modesty and virtue? When the chips are down, is raunch culture really more dignifying than discretion?

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  • AUSTRALIA

    Tony Abbott and the price of virginity

    • Catherine Marshall
    • 29 January 2010
    50 Comments

    Tony Abbott and I have something in common: we've both been having the sex talk with our teenage daughters. The bizarre glorification of virginity and the latent distaste of our daughters' sexuality removes the very power with which we strive to arm them.

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  • ARTS AND CULTURE

    Redeeming the all-American racist

    • Tim Kroenert
    • 29 January 2009
    4 Comments

    To be fair, Walt dislikes everybody. He dismisses the local priest as an 'overeducated 27-year-old virgin' and spews vile, xenophobic slander towards his Hmong refugee neighbours. Walt respects those who can give as good as they get.

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