Keywords: Tim Kroenert
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ARTS AND CULTURE
- Tim Kroenert
- 11 February 2016
As screenwriter for comic such oddities as Being John Malkovich and Adaptation, Kaufman delineated a particular type of over-educated, middle-class, white male character. His protagonists are artists whose alienation and self-loathing is at odds with their social privilege, and whose creative drive entails a winnowing for authenticity or immortality that leads them inexorably down the rabbit hole of their own navels: the search for meaning as the ultimate act of self-absorption.
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ARTS AND CULTURE
- Tim Kroenert
- 04 February 2016
11 Comments
As a white, middle-class, straight, cisgendered man, I am conscious of the extent to which the chips of social privilege have been stacked in my favour. As such there are some public conversations that I am patently unqualified to enter. One of these is the sometimes fierce debate that exists between some feminists and some members or supporters of the transgender community. One of the pitfalls of telling a story about marginalisation from a perspective of privilege is that you can overlook ethical nuances.
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ARTS AND CULTURE
- Tim Kroenert
- 01 February 2016
For seven years, Joy has been held prisoner in the garden shed of a suburban maniac. During this time she has raised a son, Jack, who is now five, employing elaborate and imaginative methods to nurture and educate him, while protecting him from the reality of their existence. Room is remarkable for its capacity to transmit the bleakness of Joy's situation via the wonder-full gaze of Jack, for whom this makeshift prison is the entire world, bursting with possibilities for recreation, rest and learning.
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ARTS AND CULTURE
- Tim Kroenert
- 21 January 2016
2 Comments
It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.
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ARTS AND CULTURE
- Tim Kroenert
- 14 January 2016
If you're going to apply a blowtorch to an institution as wealthy and litigious as the Church of Scientology, you might best be advised to first apply a magnifying glass. Alex Gibney details the dark side of the movement: its dubious tax-exempt status; allegations of psychological and physical abuse of current members and harassment of former members. But he is equally interested in unpacking the nature of belief in Scientology: what draws people to it, and also what drives them away.
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ARTS AND CULTURE
- Tim Kroenert
- 17 December 2015
2 Comments
From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.
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ARTS AND CULTURE
- Tim Kroenert
- 10 December 2015
The End of the Tour is most compelling as a consideration of the relationship between journalist and subject, which is a strange kind of beast, glorified in the sprawling feature profiles of Rolling Stone and its ilk. At its best the relationship is marked by intimacy generated through dialogue, but at its worst or it is mutually exploitative. Scenes from this year's Amy Schumer press junket revealed how bad things can go when an interviewer thinks they are going to befriend their celebrity interviewee.
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ARTS AND CULTURE
- Tim Kroenert
- 03 December 2015
2 Comments
Adi was born after the 1965 atrocities, but his older brother Ramli was killed during them. He watches filmed interviews in which the perpetrators laughingly detail Ramli's murder, before going to confront and question them. These encounters are emblematic of a new generation of Indonesian seeking enlightenment from a former generation who find it less painful, or simply more beneficial, to forget. But Adi doesn't seek to humiliate or denigrate. He seeks the seeds of reconciliation in shared humanity.
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ARTS AND CULTURE
- Tim Kroenert
- 19 November 2015
1 Comment
Following its whitewashing of 'wife-beater' Ant-Man and the Black Widow slut-shaming debacle, Marvel has a long way to go to show it is not one big boys club. Alias, basis of the new series Jessica Jones, is one example of a modern day Marvel comic that, in the words of pop culture critic Roz Kaveney, offers a 'rebuke to the convenient pieties of the comic book', by proving that comics can be thematically rich, and can take serious issues — such as the physical and sexual abuse of women by men — seriously.
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ARTS AND CULTURE
- Tim Kroenert
- 12 November 2015
1 Comment
Against the backdrop of the crash of the US housing market, we linger on the lurid details of families' removal from the brick boxes that have been their homes for decades. We can only watch as they cycle through stages of denial, bargaining, fury and grief. These are well meaning people who have innocently fallen foul of a system that deals in laws and dollars, not humanity. It is a system so corrupt it turns the exploited into exploiters; where its desperate victims embrace corruption in turn as a means of survival.
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ARTS AND CULTURE
- Tim Kroenert
- 06 November 2015
2 Comments
Pakistani teenager Malala Yousafzai came to international prominence in 2012 after being shot in the head by a Taliban gunman, for her advocacy for girls' education. He Named Me Malala ponders whether her father shares indirect responsibility for the shooting, as he encouraged her advocacy. The question of exploitation is relevant whenever a child enters the public gaze, but here it threatens to undermine Malala's own agency, as a young woman who can think, speak and act powerfully on her own behalf.
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ARTS AND CULTURE
- Tim Kroenert
- 29 October 2015
The Loners are not merely hapless prey, but represent a kind of ideological resistance. They enforce singleness as brutally as The Hotel does couplehood, and a night-time raid on The Hotel has strong overtones of terrorism. It's another layer to Lanthimos' kaleidoscopic allegory — a commentary on radicalisation, with this brutal underground existing as a direct result of the oppression enacted within an equally brutal mainstream. They are two faces of the same violence.
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