Keywords: Tim Kroenert
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ARTS AND CULTURE
- Tim Kroenert
- 05 June 2014
1 Comment
In 2002 US Cycling Hall of Famer Jock Boyer was convicted of lewd behaviour with a minor and served time in prison. Today he is the coach of Team Rwanda, a team for Rwandan cyclists, associated with aid organisation Project Rwanda. In Rising From Ashes, the traumatic experiences of his team members, all of whom were living witnesses to the 1994 genocide and lost family members to it, are footnotes to Boyer's redemption story.
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ARTS AND CULTURE
The succubus of medieval legend is a female demonic being, sexual intercourse with whom can result in sickness or death. This resonates uneasily with the attitudes of contemporary 'men's rights' movements who view women as social and sexual aggressors. The greatest irony confronting the 'succubus' of Under the Skin is that the femaleness that she had wielded as a weapon proves also to be what marks her out as a victim.
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ARTS AND CULTURE
Given last week's unequivocal iteration of the dire state of Australian politics, perhaps we've earned the right to a bit of escapism. The Secret Life of Walter Mitty proves adept at turning the warm-and-fuzzies up to 11. Still there's no escaping the sense that Walter's ability to jet around the world in order to find himself is implicitly an expression of affluent, white male privilege.
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ARTS AND CULTURE
The Double proffers a nightmare vision in which the human spirit is no match for the corrupt and corrupting power of a society obsessed with productivity and material achievement. In a week where we have seen an Australian Budget that gives favour to economic rationalism and the wellbeing of the wealthy, over that of some of our society's most needy citizens, such cynicism resonates powerfully. That is a tragedy.
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ARTS AND CULTURE
Weaving's latest character is inspired by a real-life minimum-security prison officer whose daughter had died. This man helped develop a program for rehabilitating injured raptors, that would be overseen by prisoners as part of their own rehabilitation. 'The program encapsulated the positive side,' says Weaving, 'of someone trying to deal with their own grief, and healing himself by setting up a kind of living memorial to his daughter.'
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ARTS AND CULTURE
During the summer of her 17th birthday, Isabelle manufactures the circumstances of her first sexual encounter. Not long afterwards, she finds herself working as a prostitute. By making men pay her, Isabelle exerts control over the manner and circumstances of her objectification. These are drastic and tragic measures that condemn the everyday exploitation of women by men, from pop culture to pornography.
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ARTS AND CULTURE
- Tim Kroenert
- 24 April 2014
As a stretcher bearer, he tended to two landmine victims, including one who had lost his leg. He spent the night darting between the two men, providing physical aid, and whatever comfort and assurance was possible. Turns out he was lucky that he didn't end up laid out alongside them: the next morning he discovered that the entire narrow ridge was riddled with mines. 'That was fairly close,' he admitted. It was an understatement.
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ARTS AND CULTURE
- Tim Kroenert
- 17 April 2014
5 Comments
Closeted gay lawyer Paul operates under a well-founded fear that his sexuality will imperil his career. He and his partner, drag queen Rudy, find that their status as a gay couple is used against them as they fight to retain custody of Marco, an abandoned teen with Down syndrome. This is a story marked by grave injustice, though we are expected to accept on face value that Marco will be better off with Rudy and Paul than in foster care.
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ARTS AND CULTURE
- Tim Kroenert
- 10 April 2014
1 Comment
Sex addicted woman Joe's story is marked by innumerable sexual encounters with random men. Often it is explicit, and thoroughly unpleasant. It culminates in a pointed statement about societal double standards regarding gender and sex. By contrast, Carol's story about trying to get ahead in a man's world is affirming and uplifting at every turn. Both stories are about women and power, but ultimately Carol's is the more empowering.
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ARTS AND CULTURE
- Tim Kroenert
- 03 April 2014
An intriguing insight into the North Korean film industry, whose strangely beautiful films have been used to obfuscate serious human rights abuses. Offbeat documentarian Broinowski acknowledges this fact too lightly, approaching her subjects simply as humans, who are part but by no means the sum of a much larger corrupt system. She learns the tricks of their trade, looking for clues about how she might shut down a gas mine to be built near her inner-Sydney home.
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ARTS AND CULTURE
- Tim Kroenert
- 27 March 2014
Wadjda is innately political. It is the first feature shot entirely in Saudi Arabia and the first to be made by a female Saudi director, and concerns itself with the pressures women experience in this rigidly patriarchal society. But it is primarily a film not about politics but about humanity. Its characters find self-empowerment and connection not in rabble-rousing but in small acts of rebellion against oppressive social norms.
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MEDIA
- Tim Kroenert
- 24 March 2014
5 Comments
There is little doubt that it is too soon and the story too tragic to be the butt of jokes. But the fact that such responses exist speaks to the ways in which this story has permeated the public imagination in unhealthy ways. The engagement is frequently marked by genuine concern, but also contains a deeply voyeuristic fascination that is divorced from the humanity of these events. People love a mystery, and an unhappy ending even more.
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