Keywords: Tim Kroenert
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ARTS AND CULTURE
- Tim Kroenert
- 06 November 2015
2 Comments
Pakistani teenager Malala Yousafzai came to international prominence in 2012 after being shot in the head by a Taliban gunman, for her advocacy for girls' education. He Named Me Malala ponders whether her father shares indirect responsibility for the shooting, as he encouraged her advocacy. The question of exploitation is relevant whenever a child enters the public gaze, but here it threatens to undermine Malala's own agency, as a young woman who can think, speak and act powerfully on her own behalf.
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ARTS AND CULTURE
- Tim Kroenert
- 29 October 2015
The Loners are not merely hapless prey, but represent a kind of ideological resistance. They enforce singleness as brutally as The Hotel does couplehood, and a night-time raid on The Hotel has strong overtones of terrorism. It's another layer to Lanthimos' kaleidoscopic allegory — a commentary on radicalisation, with this brutal underground existing as a direct result of the oppression enacted within an equally brutal mainstream. They are two faces of the same violence.
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ARTS AND CULTURE
- Tim Kroenert
- 22 October 2015
2 Comments
Brilliant but volatile chef Adam humiliates and physically assaults a female colleague, Helene, over the heinous crime of mis-cooking a piece of fish. The encounter ends with Helene telling Adam to keep his hands off her and storming out. Yet clearly her justified indignation has its limits: in the very next scene she is shown madly rehearsing cooking the dish whose mangling sparked the incident. The glossing over of this abuse reinforces the notion that creative genius somehow excuses arsehole behaviour.
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ARTS AND CULTURE
- Tim Kroenert
- 15 October 2015
1 Comment
In 1974 eccentric French acrobat Philippe Petit walked a tightrope between the recently completed Twin Towers of the World Trade Center. He and his team of accomplices, aware of the illegality of what they were doing and the complex physical challenges of rigging a cable between 400-metre-tall skyscrapers (let along walking on it), spent months scheming in secret. On the day, any number of unforeseen circumstances could derail the intricate plot. The Walk recreates the feat in vertiginous detail.
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ARTS AND CULTURE
- Tim Kroenert
- 08 October 2015
2 Comments
A Black Mass is a travesty of the Catholic Mass in worship of the devil. In this instance it is a metaphor for FBI agent Connolly's devotion to violent criminal Bulger, due in part to the social benefit he attains through his association with this powerful criminal, but running all the way back to a formative childhood encounter that is hinted at but not articulated in detail. Of the flatly villainous Bulger and the morally complex, wilfully compromised Connolly, the latter is the more palpably evil.
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ARTS AND CULTURE
- Tim Kroenert
- 01 October 2015
4 Comments
Lady Macbeth is left somewhere in the realm of caricature, her 'Out damned spot' soliloquy oddly decontextualised and the circumstances of her death diminished and confused. That said, the conflation of the Macbeths' conspiracy to commit regicide with an act of discreet marital sex is a potent image of their moral codependency. This faithful adaptation by Australian director Justin Kurzel is grimmer even than Polanski's 1971 version, which it is set to displace as the standard-bearer adaptation.
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ARTS AND CULTURE
- Tim Kroenert
- 24 September 2015
Gulpilil measures the distance to Ramininging from Darwin by the number of river crossings, and defines its rough edges by the points at which traditional values clash with the imposed or inherited Western trappings. Through him we meet a man who found Christianity while in prison, and who now on Easter Sunday leads an epic reenactment of the Passion through the town's dirt streets. In the degradation of his trial and execution, says Gulpilil, Jesus is neither God nor leader; 'He is black. He is one of us.'
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AUSTRALIA
- Michael Mullins
- 21 September 2015
12 Comments
It's about eschewing hard facts and egocentricity to imagine the world through other people's eyes. I was prompted to think about empathy by the Abbott Government's decision to take 12,000 Syrian refugees. Whether or not the motivation was political, it's actions that count. Which was indeed the case with the Minister Dutton's display of negative empathy in his joke about the precarious climate plight of Australia’s friends who live in Pacific Island nations.
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ARTS AND CULTURE
- Tim Kroenert
- 17 September 2015
5 Comments
When Sin-Dee rants about the 'fish' with whom her pimp boyfriend has been cheating, she is a transgender woman using a derogatory term for a person who is socially and biologically female. Her story does not merely transgress traditional gender binaries; it assumes the perspective of marginalised characters to reveal through their lived experiences the ways in which gender is both an individual and social construction.
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ARTS AND CULTURE
- Tim Kroenert
- 10 September 2015
4 Comments
Folk legend and renowned human rights activist Joan Baez's fire hasn't dimmed. Today she rages at the 'disgusting' state of race relations in America — 'police violence, mass arrests of people of colour, torture in prisons' — half a century on from the Selma civil rights marches, in which she took part. Yet amid these horrors, Baez still finds herself able to be moved by examples of 'amazing grace'.
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ARTS AND CULTURE
- Tim Kroenert
- 03 September 2015
1 Comment
In part, these hallucinogenic, metaphysical digressions are a product of Robert's medically-altered state of consciousness. Chemotherapy brings a sense of disorientation, which often leads patients' minds to wander in directions they wouldn't have otherwise. Through this, Robert discovers an Eastern spiritual and cultural approach to death that informs his own confrontation of mortality.
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ARTS AND CULTURE
- Tim Kroenert
- 27 August 2015
There's a running gag that in Hollywood there are few roles for women over a certain age, unless you are Meryl Streep. Of course it isn't really a joke, if you consider the consistently dire statistics regarding gender, age and race diversity in mainstream American films. Whatever you make of this deplorable inequality, there can be little doubt that Streep is an actor singularly dedicated to her craft, who works hard and throws herself with aplomb into the wide range of roles that come her way.
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