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Those who suggest that gatherings like the Jobs Summit are not worth the time overlook the possibility of long-term solutions being found through people coming together and talking. Much of the talking was done, of course, prior to the Jobs Summit. But the date in the diary focusses the mind; preparatory conversations start to refine a common understanding of what is being sought, and maybe even why.
The Way had been a community of homeless people, built around difficult but wonderful characters. It taught me more than I can easily say. It was a world where things were not always as they seemed and people did not fit into little boxes. We had many challenging days and relationships with our guys were seldom easy, but there was an energy that found light in unexpected places.
There’s a modern narrative around fatherhood being about sacrifice and loss that deserves some scrutiny. New fathers are frequently heard vocalising hardships, grieving the loss of former pasttimes. But there’s something else there that’s harder to articulate and appreciate.
Philosopher George Santayana sagely pronounced, ‘Those who cannot remember the past are condemned to repeat it.’ Yet that repetition is part of being human. We are creatures of habit and don’t necessarily notice or learn from our thoughts and deeds. Nor do we necessarily want to be made aware of that lack of learning.
The subject of this Stray Thought is not sleazy thoughts. It is rather the thought of becoming a lion tamer which might steal upon a person focused from childhood on being a musician with all the sacrifices that this choice has entailed. Or the thought that might lead a soccer goalie to leave his position and go forward to score a winning goal for his team. Naughty thoughts are secret, personal and disruptive. They defy the conventional wisdom we have accepted about career, security and responsibility.
Is ruthlessness an essential part of sporting success? Or are players better off remembering how lucky they are, have fun, and allow good things to happen to them by treating people with compassion and playing with joy?
Headlines in print (newspapers and magazines) have some heavy lifting to do. They need to convey the essence of the story in as few words as possible, be enticing and hopefully be funny, clever or both. In traditional news terms, you should know what the story says from the heading, intro and first paragraph. However, the funny thing about being funny (especially with word play) is you’re assuming your audience knows the same things you do.
As the boat pulls away, a figure is left standing alone on the rocky beach beneath a thick wall of fir trees. The person stares out after the boat relishing the last morsel of human contact they will have for an indefinite time.
In some ways this habit of association of ordinary personal life with the epic figures of literature or history marks a return to childhood. In it admired figures have a mythical status. I used to imagine that if, in my hand I had a Don Bradman bat, on my cap a Neil Harvey badge, or Mopsy Fraser’s number on my back, their skills would become mine. They never seemed to.
Last week at the Plenary Council Second Assembly, it seems many of Australia’s bishops, for whatever reason, wanted to bury the talents available to them. They voted down motions related to the equality of dignity between men and women. The reaction according to commentators was visceral with members, not just women, upset and angry. It is likely the anger was more potent for the fact that the motions had become so anodyne that many assembly members are probably regretting the parsing and pruning.
Eureka Street Plus is a place where respectful in-depth public conversation can take place in the grey area between polarities; a place to air differing perspectives, thoughts and concerns without fear of reprisals. It’s about making space to further enable the productive conversations necessary for an engaged, functioning society.
Ozark is, at heart, an unflinching look at evil. I’ve always known I’d come back to each new release of episodes in part because the darkness is made watchable by the likeable faces of Jason Bateman and Laura Linney. They play the couple at the centre of a family amidst sinister violence and corruption. Indeed, the juxtaposition between the content and those faces is a key part of what makes the show so intriguing.
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