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Since Richard Casey was External Affairs Minister in the 1950s, the three pillars of Australian foreign policy have been: a genuine reaching out to our Asian neighbours, adherence to UN-based multilateral values and institutions, and a firm but self-respecting defence partnership with the United States. All those pillars look pretty shaken now.
As with her previous films, Kelly Reichardt is interested in people moving through and reacting to their landscape. In Night Moves, the drama comes from the way the characters' reaction to their environment cuts them off from the world around them. This refusal to connect turns toxic.
The lack of restraint on Wilson's part, the indignity that shrouded Brown's body long after his death, the disproportionate force deployed against protestors and journalists in the aftermath – this has become the canvas upon which the long grievance of racialised oppression has found vivid expression.
In the last month, an estimated 2000 Palestinians including 400 children have been killed and 10,000 injured. Much of Gaza is reduced to rubble and rendered uninhabitable. It was a 30 degree day in Gaza as our small band of around 20 kept vigil in the cold night rain at Melbourne’s Federation Square. A Muslim girl recited a poem, ‘I am Gaza I have a dagger in my heart. I am bleeding’.
Swedish physicist Sverker Johansson has reportedly written over 2.7 million articles on Wikipedia since 2001, at an average of 10,000 articles a day. Phil Parker is purported to be the most published author in history, successfully publishing over 85,000 physical books, each of which takes less than an hour to 'write' — 'patented algorithms enable computers to do all the heavy lifting'. But the real work begins after they have finished.
Judge Garry Neilson is in a spot of bother after comparing incest and paedophilia to homosexuality. He is not the first judge to find himself in this situation and he will not be the last. Judges enjoy a life of privilege and status. In their own courtroom they are feudal masters. But when one of them makes a mistake, the media jumps all over them. Politicians rant. The controversy is always out of proportion to the alleged error.
On his own admission, Australian poet, essayist, philosopher, naturalist and storyteller Brian Medlin left the publication of his life's work to his last few years, but his passions, gifts and lyricism were set free in an extraordinary correspondence he conducted with British novelist Iris Murdoch. Their letters cover more than two decades and, with both writers terminally ill, are marked by love, wit, subtlety, argument and insight.
As Obama took steps to deal with carbon emissions, Abbott walked away from them. Beneath the complex political considerations in these responses stir deep passions. Human flourishing requires that we recognise the interdependence of human beings and our common interdependence with the environment. That recognition marks out the boundaries of the field within which our autonomy and initiative should play.
The jury is out on whether Chris Lilley's new ABC1 comedy Jonah from Tonga gives a free kick to racism and other forms of discriminatory behaviour. The prejudices in Lilley's Jonah are depictions of the wounds of Australian society, not the attempt of a far-right ideologue to promote a stratified nation based on race.
The children go holiday wild, swarms of them drenching us with holy water. Skin soaked, we fall off our bikes, flattened by their rabble-roused blessing ... Inside it's a garden, well-kept trails between the mounds, fooling us they were designed to please the eye ... Look, that tree, so graceful — against which babies' heads were bashed ... I check for red-handed stains but they have long since dissolved into complicity.
Arts minister George Brandis has accused artists of 'bullying' corporate heavyweight Transfield. The artists' recent ultimatum to the board of the Sydney Biennale threatens to kill the event and possibly the entire model of arts sponsorship in Australia. Both sides of the dispute have lost sight of the opportunity that networking between artists and sponsors offers for civilised conversation that leads to a better world for all.
The museum traces the civil rights protests right up to the game-changing Bloody Sunday killings of 1972. As I looked at the photographs of the terrible day, a man who worked at the museum stood beside me and asked if I recognised the building. I looked again to realise it was the museum itself. 'That's my brother,' he said, pointing to the badly injured young man in the photo. The young man had died ten feet from where we were standing.
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