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Theatre critic Geoffrey Milne took time off this summer to write two books on Australian theatre. What has drawn him into theatres more than 100 times a year over the past three decades—as a journalist and as a theatre historian? His excuse is that his university teaching demands close acquaintance with actual performances. But that’s not the whole story.
Peter Craven on recent star-studded Australian works.
Kate Cherry reviews Creating frames: Contemporary Indigenous Theatre by Maryrose Casey.
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