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During his December journey to the eastern Mediterranean nations of Cyprus and Greece, Pope Francis drew attention to the conditions for irregular migration that result in thousands drowning at sea and many more languishing for years in camps. The International Organization for Migration records 23,150 missing migrants in the Mediterranean since 2014.
Two decades ago, an Indonesian vessel given the name SIEV X sank with loss of life that should have caused a flood of tears and a surge of compassion. Instead of being seen in humanitarian terms, the deaths of 353 people became a form of rich political capital, placed in the bank of opportunism to be amortised at a federal election.
Ben Jonson is one of the great English Renaissance playwrights but he can also be challenging for the modern reader. When I first came to Jonson some years ago, I attempted a comedy from 1610, The Alchemist. I soon felt out of my depth. Conceding defeat, I put the book aside and told myself that there would be some ‘other time’. This year in Melbourne, with the theatres closed, the streets largely deserted, and travel restrictions firmly in place, that ‘other time’ arrived.
Walking down to the local Saturday morning street market, I wasn’t expecting to find myself amidst the beginnings of a violent protest. Seeing some police, I thought they were out and about to ensure the public weren’t taking too many liberties with the slightly eased restrictions that had come into effect for Melbourne the previous night. But half a dozen on each corner of Church St and Bridge Rd in inner-city Richmond suggested something more.
In measures now sadly familiar in 2020, theatres were closed once the number of weekly deaths exceeded 30, later 40, but because actors and the theatre world itself were so economically vulnerable, actors, understandably intent on earning a living, soon legally or otherwise cut themselves some slack by taking liberties with the rules governing performances and quarantine — again, a phenomenon that is now, against all previous odds, familiar to people of 2020.
Insofar as there is hope in Francesco, it emerges gradually through an intimate viewing of the Pope’s engagement with the ‘hot button’ issues of our day, the environment and climate change, refugees and immigration, violence and conflict, disparity of wealth and poverty, women’s place in society and Church, family and sexuality, and sexual abuse within the Church.
The UN describes itself as ‘a global forum where countries can raise and discuss the most difficult issues, including problems of war and peace’. Saving lives that would otherwise be taken in wars is the big-ticket item; the reason the body was formed. So, 75 years on, how would the UN be graded in terms of achieving those five tasks?
The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.
Alan Jones has never shied away from controversy. Relentlessly pounding various positions for decades, he has remained, till his recent announcement that he would be retiring, immoveable. He ducked accusations; he prevailed in the face of storms and juggernauts. At Sydney radio station 2GB, he maintained a degree of authority from the fear of politicians.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
Regardless of whether or not they are observed, the terms of the ceasefire are in themselves interesting. This is because they provide a healthy estimate of how two of the major external powers involved see the Syrian conflict at the moment.
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