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There are more than 200 results, only the first 200 are displayed here.
Margaret Coffey reviews Sean McConville’s weighty tome, Irish Political Prisoners, 1848–1922, Theatres of War.
The Torch Project creates plays that reconcile groups in conflict. Earlier this year it staged a play that dealt with the bitter dispute about safe injecting room that six years earlier had divided Mission from Church Congregation.
Joshua Puls meets the BBC’s John Simpson, broadcaster and war correspondent.
Peter Steele reviews Terry Eagleton’s Sweet Violence: the Idea of the Tragic.
Are we writing too many of them? Is there a crisis of relevance in Austlit? No, argues Delia Falconer.
Theatre critic Geoffrey Milne took time off this summer to write two books on Australian theatre. What has drawn him into theatres more than 100 times a year over the past three decades—as a journalist and as a theatre historian? His excuse is that his university teaching demands close acquaintance with actual performances. But that’s not the whole story.
Reviews of the films About Schmidt; Standing in the Shadows of Motown; Taking Sides; Chicago and Bowling for Columbine.
Peace drums, Irish visitor, Travellers’ tales, Epiphanies, Deep structure, Counter-terrorism kits, Circling the square
193-200 out of 200 results.