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The link Manne makes between Australian treatment of people seeking protection and the abiding cultural demand to control outsiders is illuminating, and his description of the 'Canberra mindset' is persuasive. But the resistance from the sector to negotiation about Manus and Nauru has more complex roots than Manne allows.
As a result of existing funding regimes the value of human beings and of human creativity comes to be identified with their social function. People are valued for their economic output, and artistic works for the size of their audience or their critical reception. No space is left for recognising any inherent value that cannot be measured.
The question of the seal is seen as proof that the church leadership is still resisting the royal commission recommendations. That impression can only be allayed if the church's record in a decade's time can be shown to be impeccable in responding to the other 98 per cent. Already 98 per cent has been shown to be a rubbery figure.
How are we to honour the commitment to peace of these Japanese and Maralinga survivors of nuclear conflagrations unleashed maliciously or negligently last century? We need to renew our commitment to painstaking negotiation of international treaties and agreements designed to ensure peace and security for all, insisting on the dignity and human rights of all.
Assisted suicide is not just a matter of being given a 'choice'. There is a whole system that would need to be created, with hospitals, doctors, nurses, lawyers, politicians and families all involved in facilitating this choice. Should we be enlisting the liberty of all these people to facilitate this choice?
Cometh the time, cometh the exploitable prejudice. With millions of globally displaced persons, states are retreating from the business of actually treating the condition as one of dysfunction inflicted by war, famine and poverty. It has morphed from a matter of humanitarianism to one of social ill and unease.
On the face of it, Miquela is the same as any other ‘influencer’. But behind her normcore sunglasses, Miquela is dead. Orchestrating her content is Brud, an LA-based tech startup masterminded by Sara DeCou and Trevor McDefries. The more interesting question is not who Miquela is, but why she matters. Because Miquela holds up a mirror to how we construct our own online personas.
The slow, heartbreaking realisation that unfolded over a year or more was that none of this — the heavy glass trophy, breathing the same air as popular TV hosts, sitting at those fancy tables — would change anything. It was an elaborate farce, and I was still a nobody in a struggling ecosystem.
Researchers from Oxford concluded that consumers have significant power to 'deliver environmental benefits on a scale not achievable by producers' by excluding animal products from their diets. Interestingly, this report comes at a time when the uptake of veganism is growing significantly, both globally and in Australia.
The pressure starts to get to Annie when she begins to suspect her mother is haunting her. This exacerbates pre-existing tensions; her husband is caring in a mildly condescending way, but is more concerned with the wellbeing of their children. Is the haunting real, then, or just a symptom of Annie's reluctance to let go?
At the time of his death in July last year, Geoffrey Gurrumul Yunupingu was the most commercially successful Aboriginal Australian musician to ever grace this world. Anyone expecting Gurrumul to resemble anything like your typical popular music documentary will be quickly dissuaded. Gurrumul was a far cry from your typical popular musician.
Widespread community concern about the state government's proposed plans to sell the majority of public land on existing public housing estates for private development has meant a public inquiry into the matter will be delayed. This sell-off may be more concerned with profit than with rebuilding and improving public housing estates.
97-108 out of 200 results.