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Chris Rock's hosting of the Academy Awards was a win-win culmination of the #OscarsSoWhite campaign in which no actual person had to take the blame. Instead, a faceless institution named 'Hollywood' was rapped over the knuckles for its racism while the flesh-and-blood white faces that represented it could get on with the business of congratulating themselves. While all this mollification was going on, there was another, gargantuan prejudice saturating the air these celebrities were breathing.
Social impact bonds are a type of impact investing: investing for results. A community service provider who wants to pilot or scale up an existing program can use SIBs to finance their projects. A bond issuer makes the SIBs available to private investors, who will receive the principal with interest if the program attains a predetermined success rate. While modified versions of this model are being trialled in NSW, the heartbreaking fourth season of HBO's The Wire sheds light on how they might work.
Many Americans want a President who speaks to their deepest dreams and ideals. A champion. Trump's vision of reality is the polar opposite of Obama's, a hellscape where foreigners, the unemployed (and women) are eroding society. But, like Obama, he has positioned himself as a champion of those filled with frustration, insisting it doesn't have to be this way. Bernie Sanders is in many ways the Trump of the left, a political outsider who says what progressive Americans have long been thinking.
For seven years, Joy has been held prisoner in the garden shed of a suburban maniac. During this time she has raised a son, Jack, who is now five, employing elaborate and imaginative methods to nurture and educate him, while protecting him from the reality of their existence. Room is remarkable for its capacity to transmit the bleakness of Joy's situation via the wonder-full gaze of Jack, for whom this makeshift prison is the entire world, bursting with possibilities for recreation, rest and learning.
Josh Bornstein compared the ABC to the victim in an abusive relationship, desperately trying to ward off the next blow by anticipating the criticism of its enemies. Certainly, enlisting Andrew Bolt to participate in a documentary on Indigenous constitutional recognition seems like a pre-emptive defensive move against the accusations of bias that are routinely levelled against the national broadcaster. For Bolt the arrangement is win-win; for the ABC it's yet another example of self-sabotage.
A friend recently died at 25. She was heavily involved in our political and literary communities, and I saw in her the very best of rage and rawness in politics. But I also saw how possessing such a sense of obligation to raw, honest, and emotionally-engaged political exploration, is exhausting. Of course it is. Popular wisdom has it that as you age, you get more 'realistic' about political matters. But that's not it.
Located in Paris in the aftermath of the attacks, COP21 spookily mirrors how climate change politics occurs within complex and pre-existing power structures that determine its effectiveness. Social and environmental wars merge with increasing intensity: from Syria to the Arctic, from Indonesia to Paris. Climate change complexity matches the complexity of terrorism. Causal chains of social conflict are as complicated as carbon movements that result in environmental distress.
'The people who were most impacted were people in developing countries who I've cared about my whole life. And then I started having grandchildren too, so that passion to do something about climate change was turbo charged. The thought of little kids being swept out to sea because of a typhoon, or killed in a cyclone - they haunt me.' Thea Ormerod, President of Australian Religious Response to Climate Change, was arrested last year while protesting the Maules Creek mine site in NSW.
The budget for the 2015 Indigenous Advancement Strategy funded South Australian Aboriginal communities less than ten per cent of what they required, and some received nothing at all. So with the prospect mooted of the state hosting a depository for the world's high-level radioactive waste, it's a very relevant concern that some communities might be enticed to offer themselves as a site. This is not only a justice issue for those communities; the environmental implications are far-reaching.
The US unipolar moment is ending. Real multipolarity is upon us, with Russia, China, India, Brazil, South Africa and Iran testing new multipolar arrangements for sharing world power. The US fears these changes, and would prefer to corral everybody back into the familiar bipolar camps of the past. This would be a disaster. Australia will benefit from a stable rules-based multipolar world, and our foreign policy can help build it. But we are going to have to take a few calculated risks along the way.
The Loners are not merely hapless prey, but represent a kind of ideological resistance. They enforce singleness as brutally as The Hotel does couplehood, and a night-time raid on The Hotel has strong overtones of terrorism. It's another layer to Lanthimos' kaleidoscopic allegory — a commentary on radicalisation, with this brutal underground existing as a direct result of the oppression enacted within an equally brutal mainstream. They are two faces of the same violence.
Sissies are on their way out on British playgrounds. Guidelines produced by the Institute of Physics for the Department of Education recommend that teachers strongly discourage sexist language at school. While internet forums are replete with admonitions from members of the public furious at the erosion of so-called free speech, the guidelines are a welcome tool in the long and exhausting fight for female equality, and Australia would do well to consider adopting such procedures too.
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