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I’m not sure that my Greek grandchildren know the word antediluvian or whether they have heard of Methuselah, but they certainly consider me an ancient relic who occasionally tells tall tales and true from the legendary past, and from another land. Of course they are unable to conceive of life or domestic space without screens: even my youngest grandchild, who has just had her first birthday, knows when a Skype call is imminent, and coos accordingly.
I own my proclivities and short comings / I own the transgressions of those which have inflicted wounds some unhealed / I own the sublime moments of subjective joy / I own little but I am rich in compassion / I own not the land it owns me
The largest wave is friendship. / Heard stories about seamlessness / that sleepy beast of an upsurge that carries you in / until your fin cuts a channel in the sand. / There are dumpers that leave you gasping. / Will & persistence, how a cold current / can race to your head.
You’re a scavenger / so restless in your wakings / picking remnants in the hours / thieving at the doorstep / to sleep-this threshold / I turn to your profile / mussed hair dark on grey / we are always touching.
Although I teach poetry and do occasional workshops, the following is written in response to one such workshopper, new to writing poetry, who in lockdown would message me on social media with fairly open-ended questions about poetry. My answers are written after the wry manner of the Polish poet Wislawa Szymborska; wry, but generally helpful. They are not the launch pad for a new poetics. I have stopped for now at 12 questions, but the questions keep rolling in.
After an excruciating few weeks of negotiations with the Nationals — and far too many hours subjected to Barnaby Joyce’s ramblings — the Morrison government has finally announced their predictably underwhelming plan to reach net zero emissions by 2050.
These weekday mornings all is quiet. / I stroll across the highway, / a piddle of cars in the outbound lane, / a puddle at the distant lights. / Along the parkland trail / cowled figures walk alone, / measuring their distance. / From the rise above the railway cutting / Macedon stands burly in the smoke-free air.
Well before the pandemic, the future for poetry’s slim volumes was looking far from healthy. Last November, the threatened closure of UWA Press, one of the largest publishers of poetry in Australia, drew attention to the narrowing opportunities for emerging poets to make their mark.
The neighbour says, So sorry. And sir, / you are the last paesano on this street. / Maria you promised me. I could go first. / Ti perdono, I forgive you, amore mio. / I sit in our backyard under lemon shade, amongst / the hens tomato plants and capsicums. I fall into each / wishful memory. We danced, those ad-hoc strolls / and laughter, you hummed our favourite songs.
In this experience of place and moment / is a knowing of timelessness / offering persistent invitation into a deepness of silence / Silence knowing and living out / the roots of a self-aware becoming / sometime known as eternity
Once again we’re forced to think about the ones who’ve kept us going, doctors, nurses, nurses’ aides, swallowing their fear and knowing masks, however good, can never be sufficient, those who check each other’s PPE, all suited-up as if they planned a landing on the moon.
Stopped at two stones, I languish beneath this vault tarnished with heaven. The tangle of these paths are in possession of my blindness. Nothing is more squalid than my monotony.
109-120 out of 200 results.