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The UN describes itself as ‘a global forum where countries can raise and discuss the most difficult issues, including problems of war and peace’. Saving lives that would otherwise be taken in wars is the big-ticket item; the reason the body was formed. So, 75 years on, how would the UN be graded in terms of achieving those five tasks?
Magic, we’ve discovered in our first years of parenting, is an important part of raising children. It’s a lesson we’ve learned, at least in part, thanks to Bluey on the ABC. For those of you who haven’t yet encountered this little blue dog and her family, Bluey is the star of one of the ABC’s most popular Australian kids series.
This Budget is a missed opportunity. It was a chance for the government to do something radical, to make real and defined impacts. Instead, we’ve increased funding for some regions, but at the cost of some of the most marginalised populations in the world, who have experienced years of discrimination, poverty and displacement.
The story of colourism has roots that go back many generations; it has trickled relentlessly through time and is still evident in many ways today. In many countries with a colonial history, light skin was perceived, for a long time, as belonging to the upper classes, constituting power and wealth.
The global economy was already teetering on the edge of such a debt crisis before the coronavirus hit. The economic shutdowns have accelerated the damage.
Three people died within ten days of each other in the latter part of September who have gifted great legacies that call for reflection. I find reason to bring them together here in an attempt to highlight the threads that bind them; those of women of influence. Their stories are undoubtedly varied, yet they have all contributed to the broader advancement of women and ultimately, people.
‘You’ve got a bit OCD about all this handwashing, haven’t you?’ People say things like this all the time, to mock others’ habits and the routines they follow a little too closely. Usually, it’s not meant to be offensive. Just harmless teasing. But when I hear someone say something like this, it hurts. Because I actually have OCD.
A common argument is that publicly-funded artists take unnecessarily from the ‘average Australian’. In the current international crisis, this argument fails to recognise that artists and arts workers are just as deeply impacted financially by COVID-19 as the ‘average Australian’ in other industries.
Social media, while a blessing, has also become a curse for survivors in Pakistan. The platforms are widely used by survivors to share their stories of sexual harassment, molestation or rape. It also gives users a chance to comment and provide leeway for the perpetrator.
Recent weeks have seen the deaths of former NSW Liberal Premier and federal Finance minister, John Fahey, and former Labor federal minister, Senator Susan Ryan. They were both exemplary public figures who not only made a major contribution to Australian public life but did so in a way that drew praise from all sides of politics.
He came in, sat down, and we talked about Henry Lawson. He was well read in the field, having encountered Lawson not only in a small way at school but especially at home where his mother had given him an anthology of Australian stories and he’d come across ‘The Drover’s Wife’. We hit it off: he was pleasant, engaging and witty and we resolved to continue our talk in the near future.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
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