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There are more than 200 results, only the first 200 are displayed here.
For gay teens and those who known them, the film is vitally affirming. But there's baggage that comes with its treatment of these themes that undercuts its efforts to engage the experience of alternative sexual orientation. Simon may be gay, but he is also explicitly a privileged white man.
We the remnants, largely spent, professors, teachers, beloved practitioners, scientists, world leaders, pioneers, a menagerie of specialists, some honoured citizens, the sick, the grey, the bent, the pill dependent, divorcees, the widowed, the saints, the sinners, bound and equal, together, all as one, gathered again, searching out new pastures, denying mankind's stark mortality.
'Instead of a church walking humbly with its God, it found an arrogant church, that placed its own reputation above the interests of victims, and did so knowlingly in a way that would cause further harm to many of those victims.' Robert Fitzgerald of the Royal Commission into Institutional Responses to Child Abuse addresses the Catholic Social Services annual conference in Melbourne, February 2018.
Yasmin opens the book and runs a lacquered fingernail down its table of contents. 'How we can seduce a man and not fall in love,' she reads. Then: 'How we can learn to keep secrets from men.' Is the government okay with this? 'What can you do?' Yasmin shrugs. 'Everybody knows people fall in love, have sex. This is how life works.'
Following Grace's account of her encounter with comedian Aziz Ansari, I have had many conversations with men I love and admire, about how we define consent, how we define intimacy, and how a man's aggression, while not being criminal, can still be harmful. I, like many women I know, have been Grace.
The ongoing talk of war with North Korea and the threat of nuclear weapons has everybody dusting off their copies of Dr Strangelove and rewatching that classic black farce of innuendo, misunderstanding and paranoia in an age of Mutually Assured Destruction.
Did you see the news today? Law failed love. Let love be law.
Born a few months after Shelley drowned and desperate to understand the living Nature the Romantics had known, Matthew Arnold too found the natural world had gone silent. Where Wordsworth had heard 'strange utterance [in] the loud dry wind' and 'the sky seemed not a sky / Of earth - and with what motion moved the clouds', Arnold sadly concluded that 'the world, which seems to lie before us like a land of dreams, so various, so beautiful, so new, hath really neither joy, nor love, nor light ...'
The UK's Yorkshire moors seem like an ideal setting for a crude yet beautiful film about two shepherds falling in love. What's even better is a director bringing to the film his own history of such a place, adding the depth of familiarity with both the land and those who live off it. Such is the case with one-time Yorkshire farm boy Francis Lee's directorial debut, God's Own Country.
Seventy years ago Alan Paton wrote Cry the Beloved Country. His novel opened many Australians’ eyes to the wounded South Africa that lay behind its colonial surface. His elegiac conclusion was prescient of the two generations that followed.
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