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The COVID-19 pandemic is starting to ease, but the economic and financial fall out has just begun. It is not as if the world economy was in good shape before economic activity was slashed and entire industries were shut down. Those fault lines are only going to worsen, and the consequences might be very dark.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
We know that prisons are pressure cooker environments at the best of times. We can’t let them also become sites of mass infection, with potentially grave consequences, during the current COVID-19 health crisis.
Illness, so apparently explicit and ever more obvious as it progresses, in fact defies definition: submitting apparently to scientific and medical description, it escapes into a quality of pain, exquisite loss or appalled helplessness that is often most clearly captured at the heart of great works of art.
The world-wide chaos caused by the outbreak of the coronavirus has underlined a lesson that was only partly learned in the Global Financial Crisis of 2008. In a more interconnected world the understanding of system-wide risk needs to be much better than it is.
Nicaraguan Ernesto Cardenal, Catholic priest, poet and revolutionary, was an essential figure of Latin American liberation theology. He died on March 1. He was 95. Cardenal’s spiritual life was the unyielding foundations of his country’s social and political struggle.
We live in an era of hyper-transactionalism, whereby most of what we do is subject to the exchange of money and market pricing. Whereas in the past much of humanity was bound to a political system, now most of us are bound to a globalised monetary system.
The common-sense enthusiasm for depoliticising environmentalism — voiced most recently in relation to the bill proposed by the conservative independent Zali Steggall — pushes in entirely the wrong direction.
A shift is afoot in the west's financial markets that represents the most important economic change since the emergence of the new financial instruments in the 1990s that ultimately led to the global financial crisis. It is likely to result in a new way of thinking about money, which will change the substructure of developed economies.
The modern 'old maid' is no longer confined to the attic. She's in the workforce, the senate, leading in the community. Yet while gender norms are being deconstructed and cultural ideas of femininity are evolving, the idea women exist only to procreate still persists. Women are not only supposed to have children, they're supposed to want to.
While we can only speculate on what it means for the future of funding beyond the current budget, alarm bells are ringing for many of us who recognise the symbolic power of rendering the arts invisible at a federal level. A strong, vibrant arts sector is essential to a thriving democracy.
Hopkins' words highlight how difficult it is for poets or lesser human beings to focus consistently on the particularity of each human being, let alone of each being in the world. Yet this is a necessary condition for recognising the claim that each person and the world make on us. It is no wonder that we sometimes falter in our commitment.
157-168 out of 200 results.