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Kirsty Sangster looks at the effectiveness of truth commissions.
Dorothy Horsfield visits the fastest growing Jewish community in Europe
Peter Rodgers’ Herzl’s nightmare engages Matthew Lamb.
Avril Hannah-Jones looks at the effectiveness of protesting.
Both the Dresden firestorm and the Holocaust were products of the insidious tendency in wartime for the previously unthinkable to become routine.
Reading the Sydney Writers’ Festival
Michael Magnusson reviews David Freeman’s new production for Opera Australia of Verdi’s Nabucco.
Kirsty Sangster recalls a Holocaust survivor.
We all know about the supposedly true books that turn out to be fakes, but perhaps even more remarkable is the way fiction can somehow become fact.
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