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The campaign left me bewildered. The things Duterte represents - vigilantism, unilateralism and violence - aren't these the same things that Filipino human rights activists had fought against? Is this now the preferred template for imposing order? I parsed post after post on social media, trying to working out what I was missing. For months I asked myself, what the hell went wrong? It is only lately that I'm beginning to accept that I got the wrong end of the question. What went wrong? Everything.
It is important constantly to move from the budget to consider the plan it enables. If the budget is for the whole nation, it should look to the good of all, with each person and business having a responsibility for the good of others, particularly the most vulnerable. When budgets are constructed in such a way that the cost of their balancing is gross inequality and the exclusion of vulnerable people from participation in society, they should be rejected. They do not serve but betray the economy.
When a remote valley in the north of Iceland is struck by an outbreak of scrapie - a fatal, degenerative disease that affects sheep - Gummi, Kiddi and their farmer neighbours must face the prospect of conducting a mass slaughter. This is very much a communal crisis, and a consideration of the socioeconomic hardships of traditional Icelandic sheep farmers in modern times. But it's also a teasing-out on the personal level of Gummi and Kiddi's emotional and practical responses to this turn of events.
His mum was the kind who baked more than one pie at a time and gave the extra pies away easily and casually. All I knew about her was the pies, because my friend brought in pies for birthdays and teachers' anniversaries and raffles and such at school. My friend said she was too cheerful, a remark I didn't understand. He said she was a different person after his dad died, but who wouldn't be after your spouse died at the kitchen table and got coffee all over the business section of the newspaper?
The tall man had worked for the Brotherhood of Saint Laurence for years, and long ago had lost any illusions about the overarching nobility of people who were hammered and lost and helpless against addictions, diseases, crisis and tragedy. I asked him about the most wonderful people he'd met, and he told me some amazing stories, and then I asked him about the worst, and he told me some horrifying stories, and then his face twisted and he told me about the worst of the worst.
Many Americans want a President who speaks to their deepest dreams and ideals. A champion. Trump's vision of reality is the polar opposite of Obama's, a hellscape where foreigners, the unemployed (and women) are eroding society. But, like Obama, he has positioned himself as a champion of those filled with frustration, insisting it doesn't have to be this way. Bernie Sanders is in many ways the Trump of the left, a political outsider who says what progressive Americans have long been thinking.
Following Wednesday's High Court decision, the moral depravity of Australian funded offshore detention of asylum seekers, including children, is to continue. There is no joy to be found in our High Court applying a Constitution even more bereft of human rights protections than that of Nauru. It's time for our politicians to address the political and moral question: what purpose is actually served by sending this mum and her baby back to Nauru, when the boats have already stopped and will stay stop?
This is one of the angriest films you will ever see. In the Bible we hear about righteous anger, where God or humanity realises something is so wrong and sinful that 'holy anger' is the first and right response. At its best in the scriptures this anger leads to justice, making things right. Spotlight is an occasion for holy, righteous anger and every adult Catholic should see it.
It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.
Last year, I was my son's main school-day carer. It was a year of which the second half was dominated by acts of terrorism around the world. For the first time I properly registered the fact that there were people on the planet who, given the opportunity, would kill the preppie and me because we didn't want the kind of world they wanted. I started to feel a presence looming over us. It wasn't a pleasant reality with which to engage. Nor, I soon realised, was it any way to live.
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
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