Keywords: Gillian Bouras
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ARTS AND CULTURE
- Gillian Bouras
- 25 January 2022
10 Comments
I’m not sure that my Greek grandchildren know the word antediluvian or whether they have heard of Methuselah, but they certainly consider me an ancient relic who occasionally tells tall tales and true from the legendary past, and from another land. Of course they are unable to conceive of life or domestic space without screens: even my youngest grandchild, who has just had her first birthday, knows when a Skype call is imminent, and coos accordingly.
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ARTS AND CULTURE
- Gillian Bouras
- 25 November 2021
32 Comments
Attitudes towards truth have changed. Now we accept the idea that there are different sorts of truth: the phrases historical truth, narrative truth and emotional truth come trippingly off the lips of vast numbers of people. Then there are the complex notions of fantasy and fiction: we have long subscribed to the notion of novelists making up various ‘lies’ or fantasies in order to tell underlying truths about human nature. But we also have to accept, I think, that a gentleman’s word is no longer his bond.
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ARTS AND CULTURE
- Gillian Bouras
- 04 November 2021
14 Comments
Writers inevitably learn bitter lessons, including one about readers who will be wounded, hurt, or at least deeply offended by their work. There is usually more than one group of these, for people become upset for reasons that are many and varied. Such is the case in the reaction to Jeanine Cummins’ fourth book, American Dirt. Cummins has been variously accused of stereotyping, racism, narcissism, and of lacking in empathy.
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ARTS AND CULTURE
- Gillian Bouras
- 19 August 2021
10 Comments
My son’s Athenian flat was burgled last month. I had been visiting Athens for the first time in more than a year, and so was with the family when they arrived back, after a fairly brief evening absence, to sheer chaos. Anybody who has had this experience will be able to picture the scene: every drawer and cupboard had been opened, with the contents spilled and strewn everywhere. Even the loft had been checked.
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ARTS AND CULTURE
- Gillian Bouras
- 26 July 2021
19 Comments
I was at university when I first heard of the so-called death of the novel, and was frightened by the thought. But I’ve since heard the phrase many times during the ensuing decades, and am cheered by the fact that so far the novel has clung to life, albeit precariously, while novelists persist in writing, despite the many drawbacks attendant upon the practice.
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ARTS AND CULTURE
- Gillian Bouras
- 18 May 2021
18 Comments
Even though I tried to count my blessings and to avoid my besetting sin of self-pity, migration was hard. And decades later I still think it was hard. Sometimes I wonder how I survived it.
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INTERNATIONAL
- Gillian Bouras
- 25 March 2021
9 Comments
In normal times this month would be one of great celebration in Greece and throughout the diaspora, for 25 March marks 200 years since the Greeks rose in revolt against the Ottoman Turks. But not this year: student parades have been banned, while military ones will go ahead with strict safety measures in place.
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ARTS AND CULTURE
- Gillian Bouras
- 11 March 2021
26 Comments
Of my three sons, two have tattoos. Not all-over body-as-art ones, but tattoos, nonetheless, with my army son leading the way. When he rang to tell me about this new venture, I sarcastically remarked that the only way I could cope with a tattoo was that if it depicted a heart, an arrow and the message MUM. Needless to say, a guffaw greeted this remark.
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INTERNATIONAL
- Gillian Bouras
- 02 February 2021
15 Comments
It was all very quiet, and the waterfront was practically deserted. But I suddenly noticed a sole woman right at the water’s edge. She had her back to me, but I saw her lift what was clearly an icon, which she then venerated. I couldn’t hear her precise words, but it seemed obvious she was repeating the forms of the liturgy to herself.
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ARTS AND CULTURE
- Gillian Bouras
- 08 December 2020
18 Comments
When I was small we spent Christmas camping by a river in NE Victoria. The festivities began on Christmas Eve, when campers and residents of the township of Bright gathered for carols by candlelight. During the singing of my favourite ‘Good King Wenceslas,’ I never wondered about the absence of snow ‘deep and crisp and even.’ I don’t imagine anyone else did, either
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ARTS AND CULTURE
- Gillian Bouras
- 27 October 2020
20 Comments
The leaders of these nations, as well as acting amorally, have also apparently thrown the ideal of common civility to the winds. What are we to make of heads of government who hurl insults and are economical with the truth, use the gag continually, and turn their backs when those in opposition are speaking?
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ARTS AND CULTURE
- Arnold Zable
- 06 October 2020
4 Comments
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
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