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New Queer Cinema is a genre marked by its robust portrayal of gay, lesbian, bisexual or transgender protagonists, usually as outsiders or renegades from conventional society. Alienation and otherness drive the characters into each other's orbits with the force of a familial bond.
In many Asian cultures paleness is an indication of class and beauty. But why would Asian women want to look like Pamela Anderson? For the same reason white women do: there's a globalised beauty standard that is gendered, racialised, and hierarchical.
Remember the man who yelled 'iron my shirt!' at Hillary Clinton? No doubt Clinton knows the problems women face in their fight to be taken seriously in the workplace. Acclaimed The Hurt Locker director Kathryn Bigelow has similarly found that male peers seem more interested in her body than her body of work.
The issue is not whether South African athlete Caster Semenya is male, hyper-androgynous, or, as she claims, 'entirely female'. More burdensome is the ferocious public response to a predicament that clearly called for maturity and restraint.
The new biography of former South Australian Governor Dame Roma Mitchell paints a picture of a tenacious, committed woman, supported by her strong Catholic faith, but willing to challenge and explore any doctrine that stifled people's (and particularly women's) right to make choices about their lives.
A primary objective of terrorism is to engender disproportionate fear in the community, and to act as a catalyst for negative changes. Terrorists can therefore be highly effective without having to undertake terrorism operations.
Churches today run into trouble on gender and sexuality. Public discussion reveals passionately held differences within churches and between churches, and culture.
Reviews of Bamboo Palace; The Suicidal Church; The Lowest Rung: Voices of Australian Poverty and Flesh and Glory: Symbol, gender and theology in the Gospel of John.
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