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There is a suburban myth about migrant families. The first generation toil, the second become professionals, and the third artists. Like all dynasties, the Rineharts are destined to one day represent the crusty relics of former glory. That's fine. I mean, why would the beneficiaries of other people's obsessive toils and struggle work, if they didn't have to?
I suspect Pope Francis had some of our Jesuit alumni in mind when he wrote in his encyclical Laudato Si: 'A politics concerned with immediate results, supported by consumerist sectors of the population, is driven to produce short-term growth... True statecraft is manifest when, in difficult times, we uphold high principles and think of the long-term common good. Political powers do not find it easy to assume this duty'.
The phrase 'the public square' is peppered throughout Frank Brennan's work. The 1988 film Cinema Paradiso depicts the public square in a Sicilian village over 30 or so years, and its slow and subtle change from a place where human beings gather to laugh, play and discuss. Billboards and garish signs appear and it becomes a car park bereft of its humanity.
Given the ready access we have to international media and the world wide web, we can no longer plead ignorance of the trouble going on in our world. Those of us who are purist pacifists can presumably put a coherent case for eschewing violence in all cases, even were a madman to be imminently threatening the lives of our most vulnerable loved ones.
Here's a story. A man who was a soldier in the American army in Iraq tells it to me. A friend of his, one of his best and closest friends, was nearly pierced through by a bullet fired by a sniper. American surgeons removed the bullet and discovered it was a 5.56mm cartridge manufactured in Lake City, Missouri. For profit.
'In chapter 12 "Respecting Autonomy and Protecting the Vulnerability of the Dying", Frank quoted my grandmother ... "Well there is not much to say about euthanasia is there? Just don't kill people and look after them while they are dying. What more can you say?" Well Grandma, I am not certain that I share your view. Just as Pope Francis did not know all the answers at age 36 years, neither do I.' Frank Brennan's nieces Shannon and Kateena help launch his new book Amplifying That Still, Small Voice.
On Saturday, a Victory Parade will commemorate the 70th anniversary of the final defeat of Fascist Germany. It is a fitting tribute to the heroism of the Russian people for their huge sacrifices and sufferings in a common cause with the west. Many leaders including US President George W. Bush attended the 60th, but a specious rationale is dictating a boycott this time around.
The British commanders used the Australian troops who landed at Gallipoli as cannon fodder. The Turkish Government is doing something similar with the Australian visitors whom it is welcoming with open arms, in that it is using them to help smother the memory of the Armenian Genocide, which also occurred 100 years ago this week. In connection with Genocide, Pope Francis said recently that ‘concealing or denying evil is like allowing a wound to keep bleeding without bandaging it’.
This Memorial Church here at Harvard was dedicated on Armistice Day 1932 in memory of those who died in World War I. It is fitting that we, Australians, New Zealanders, Turks and Americans should gather in this place to mark the centenary of Anzac Day, the day on which Australians and New Zealanders landed in the stillness of the early dawn on the Turkish shoreline wanting to assist with the Allies’ advance on Constantinople, now Istanbul, the day on which the Turks commenced a successful, eight month campaign to defend their homeland against the assault.
We can judge the exuberance of the Anzac commemoration against the nonchalance of the last Anzac Alec Campbell. He said he went to Gallipoli for adventure and, to him, 'Gallipoli is Gallipoli'. John Howard argued Anzac defined our 'sense of self', although he did acknowledge that Anzac is something that was made up. It's better to let historians rather than politicians select events that define the nation, even if they opt for the frontier wars of the 19th century that depict white Australians as violent and racist rather than heroic and virtuous.
Since John Howard promoted the memory of 25 April 2015 in the years after 9/11, it has become entrenched in the public imagination as the definitive Australian moment. I look upon it from a distance, in awe, and as the deification of the white male soldier continues apace, with a deeper sense of alienation. As a non-white Australian who migrated to this country from the Philippines, I did try to make it relevant for myself for a while.
In contrast to the sectarian suspicion expressed by elements of non-Catholic Australia towards Melbourne’s Archbishop Daniel Mannix, who opposed military conscription during the First World War, his Perth contemporary Archbishop Patrick Clune was lauded during the war as ‘pro-war effort, pro-conscription, pro-empire and pro-crown’. Clune travelled from Perth all the way to the Western Front so as to minister to the Catholic soldiers sent there, and he enjoyed warm relations with Protestants and Jews.
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