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Abel's life is pointedly contrasted with Peter's, a young truck driver who has been the victim of several violent assaults on the job. Peter idolises Abel, for whom the Dream has apparently come true — if Abel can make it, so too can Peter. The problem is that Abel's Dream stands on the backs of ordinary workers like Peter. Peter is a tragic antihero coming to learn that for many, the Dream will remain just that.
The theme song from Selma references Rosa Parks and Ferguson in the same breath. Indeed this is a powerful period drama that resonates loudly in a modern age where the injustice against which Martin Luther King raged continues to haunt Black America. Oyelowo's King is charismatic and proud, but plagued by doubts and capable of great sadness when even one of his followers falls in the midst of the struggle.
Abbott's best G20 moment was his closing media conference, where he gave an outlined the meeting's achievement of a 2.1 per cent global economic growth plan over the next few years. But on two important matters – climate change and Ebola - the dynamic of the meeting got out of his control and produced outcomes clearly not to his liking. Abbott's counter-strategy – quite successful in retrospect – was to set media hounds running to the side-drama of Vladimir Putin.
Supplying food, whisky, news, loving sex. All this on a pine-scented mountain. I trim my stark white beard, shampoo, sweep, spray, squeegee and swipe. The hour you drive up our steep hill I open our front gates like a greeting.
New Zealand filmmaker Robertson’s latest feature has been described as a cross between modern antipodean classics Once Were Warriors and Shine. Like Warriors, Dark Horse considers masculinity, violence and spirituality in the lives of urban Maoris. Like Shine, it offers a moving portrait of a character whose mental illness appears to be the dark reflection of esoteric, obsessive genius.
Some aspects of the English/Scottish independence referendum confrontation rang interesting bells for Australia. But British PM David Cameron has had to tread cautiously on foreign policy to avoid adding grist to the 'Yes' campaign's mill. Not so Tony Abbott, for whom strutting the world stage works a treat to lift the pall of governmental confusion and unpopularity.
Bob dutifully attends Mass but never takes communion. He's a fundamentally decent working man, as generous as he is taciturn. He is not the kind of man to, say, turn a blind eye to the plight of an injured dog. But Bob has sinful secrets that he feels alienate him even from God.
In anxious times, people often think about identity in a way that is limited and excluding. But our identity is actually layered, and may include regional, religious, philosophical, professional, sports, social, racial, sexual, and more. If we isolate ourselves in homogeneous and non-interactive groups, any larger national identity we have will be brittle.
I take a lot of selfies. Some of them are silly, coquettish, dramatic. Others are just my face looking into my computer, sitting where I work, dressed in work clothes. They mean more or less nothing. They’re just an inane collection of data on my laptop, or too easy self-portraits. Nothing means nothing, but it says something about the culture.
In 1996, US journalist Gary Webb claimed in the San Jose Mercury News that the CIA and US State Department had supported the smuggling of crack cocaine into the US, as a way to help fund Contra rebels against the revolutionary government of Nicaragua during the Reagan era. This 'dark alliance', Webb claimed, contributed significantly to the crack epidemic in Los Angeles, and fuelled the War on Drugs that Regan himself famously escalated.
As with her previous films, Kelly Reichardt is interested in people moving through and reacting to their landscape. In Night Moves, the drama comes from the way the characters' reaction to their environment cuts them off from the world around them. This refusal to connect turns toxic.
While not everything always turns out for the best in Boyhood, the stakes aren't high in any traditional sense. Instead, time gains power from its sheer passage on the screen. For Mason, the central character, it is a liberation.
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