Keywords: Drama
There are more than 200 results, only the first 200 are displayed here.
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MEDIA
- Rochelle Siemienowicz
- 13 January 2016
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
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ARTS AND CULTURE
- Tim Kroenert
- 17 December 2015
2 Comments
From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.
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AUSTRALIA
- Brian Matthews
- 11 December 2015
3 Comments
Interviewed before the screening of Hitting Home, her program on domestic violence, Sarah Ferguson pointed out that the statistics had scarcely altered in a couple of decades. How far back into our history does this dismal phenomenon reach? 'We could quickly fill the largest building in Sydney with women and children who now, for the sake of food and shelter, but more for the sake of what is called their "good name", are bearing blows, insults, servitude and degradation,' wrote Louisa Lawson in 1889.
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MEDIA
- Rochelle Siemienowicz
- 23 November 2015
10 Comments
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
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INTERNATIONAL
- Daniel Read
- 18 August 2015
12 Comments
The ongoing drama over leadership of the UK Labour Party is raising the possibility of further fractures in the politics of austerity, not just in Britain, but across Europe. The entire political edifice of British politics has shifted so far to the right that even a somewhat inoffensive endorsement of state ownership, anti-austerity politics and trade union support, alongside scrapping the UK's nuclear deterrent and questioning our continued membership in NATO, can appear dangerously radical.
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ARTS AND CULTURE
- Tim Kroenert
- 13 August 2015
The characters, black and poor, inhabit a world where violence is as an expression both of material want and of dignity. One scene sees Marieme and the members of her all-girls soccer team walking home after dark. The girls are garrulous. But in the shadows of the flats, male voices utter vaguely threatening suggestive remarks. The chatter dissipates to silence as the group dwindles to individuals. It's a quietly harrowing picture of women's too-frequently justified fear of violence from men.
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AUSTRALIA
- Ellena Savage
- 17 July 2015
4 Comments
There is a suburban myth about migrant families. The first generation toil, the second become professionals, and the third artists. Like all dynasties, the Rineharts are destined to one day represent the crusty relics of former glory. That's fine. I mean, why would the beneficiaries of other people's obsessive toils and struggle work, if they didn't have to?
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ARTS AND CULTURE
- Tim Kroenert
- 09 July 2015
12 Comments
If you're going to apply a blowtorch to an institution as wealthy and litigious as the Church of Scientology, you might best be advised to first apply a magnifying glass. Alex Gibney details the dark side of the movement: its dubious tax-exempt status; allegations of psychological and physical abuse of current members and harassment of former members. But he is equally interested in unpacking the nature of belief in Scientology: what draws people to it, and also what drives them away.
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ARTS AND CULTURE
Our salt-blasted car rental veteran guzzled fuel, gearbox a disaster gasping past wallaby roadkill leaving the dramatic volcanic mountainscape for glimpses of carved bays, Crusoe beaches contrasting with weathered scrub, still farms.
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ARTS AND CULTURE
Famous actor Maria Enders finds herself cast in a new production of the play that kick-started her career. The play explores the tempestuous relationship between a businesswoman, Helena, and her much younger assistant, Sigrid. Back then, Maria played Sigrid. Now, she is to portray the older woman. Through her engagement with the material she probes her own ambivalence and insecurities about getting older.
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ARTS AND CULTURE
- Tim Kroenert
- 23 April 2015
5 Comments
Vera, a latecomer to the gathering, interjects. She has worked as a nurse, has had her hands warmed by the blood of the maimed and the soon-to-be-dead of both sides of the conflict. She has lost loved ones, too — a brother, a friend, a fiancé — and the grief of their loss will be with her always. But how can violent conflict ever be truly redeemed through the trauma of more violent conflict? The German soldiers who died in the war left behind loved ones, too.
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ARTS AND CULTURE
- Tim Kroenert
- 02 April 2015
Cameron's illness is severe enough that he has been institutionalised at least once. He is on lithium but tends to neglect it, preferring to self-medicate with alcohol. His sensitive but strong-willed daughters do not make his life easy, but neither are their mother's absence and their father's illness easy on them. Still, there is a good reason why these events are viewed with nostalgia, and a good deal of humour.
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