Keywords: Drama
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Tim Kroenert
- 21 April 2016
3 Comments
Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.
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INTERNATIONAL
- Gillian Bouras
- 06 April 2016
7 Comments
My grandson Nikitas is ten. When his name was chosen I was haunted by memories of Russian leader Khruschev and his long-ago shoe-banging performance at the United Nations. My son and daughter-in-law patiently explained that their son was to be called after Nikitaras, a hero of the Greek War of Independence. Thankfully, young Nikitas does not divide the world into friends and enemies, at least not so far. But he is very competitive; perhaps his name, which means invincible, influences his outlook.
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ARTS AND CULTURE
- Tim Kroenert
- 10 March 2016
6 Comments
When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.
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AUSTRALIA
- Gabriela D'Souza
- 02 March 2016
5 Comments
Social impact bonds are a type of impact investing: investing for results. A community service provider who wants to pilot or scale up an existing program can use SIBs to finance their projects. A bond issuer makes the SIBs available to private investors, who will receive the principal with interest if the program attains a predetermined success rate. While modified versions of this model are being trialled in NSW, the heartbreaking fourth season of HBO's The Wire sheds light on how they might work.
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ARTS AND CULTURE
- Barry Gittins
- 02 March 2016
3 Comments
This year we faced the prospect of having Wolfgang, our 16-year-old apricot Spoodle, euthanised. This was sad for me, my wife, and our son. But for our daughter, entering her first year of high school, it presented a looming disaster. Mark Twain is purported to have said that 'the fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.' Timidity equals preoccupation with mortality? No disrespect to Samuel, but it's unlikely he shared that gem with his daughters.
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MEDIA
- Erin Riley
- 29 February 2016
16 Comments
Sports journalists shape narratives. There is drama intrinsic to sport, but the sports journalist draws it out, identifying heroes and villains, and slotting each performance into a broader arc. The power to influence the way the public understands a game or player ought to be wielded carefully. Too often, it is not. This is best demonstrated by the ways in which commentators and journalists speak about Indigenous athletes. A simple superlative can be loaded with more than a century of cultural baggage.
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ARTS AND CULTURE
- Tim Kroenert
- 25 February 2016
As Kate plans a party for their 45th wedding anniversary, news arrives that the body of Katya, Geoff's long-dead first love, has been discovered in a Swiss glacier. The 'life-lie' that emerges turns out to be not so much a concealment but rather a minimisation of truth. The disruption it causes to an ostensibly happy marriage comes not in the form of shocking revelation, but slow-dawning realisation; not that Geoff isn't the man he purported to be, but that Kate may not be what she believed herself to be, to him.
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ARTS AND CULTURE
- Tim Kroenert
- 11 February 2016
As screenwriter for comic such oddities as Being John Malkovich and Adaptation, Kaufman delineated a particular type of over-educated, middle-class, white male character. His protagonists are artists whose alienation and self-loathing is at odds with their social privilege, and whose creative drive entails a winnowing for authenticity or immortality that leads them inexorably down the rabbit hole of their own navels: the search for meaning as the ultimate act of self-absorption.
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ARTS AND CULTURE
- Jim McDermott
- 28 January 2016
4 Comments
Not long ago a priest visiting from abroad told me that the story of Spotlight doesn't really apply to his country. 'We don't have that problem here.' It's a comment you get somewhat regularly from some parts of the world. Would that it could only be true. Without a much greater willingness on the part of the institutional Church to let itself be broken and changed by what we have learned since January of 2002, it's more likely a sign of disasters still to come.
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ARTS AND CULTURE
- Richard Leonard
- 28 January 2016
18 Comments
This is one of the angriest films you will ever see. In the Bible we hear about righteous anger, where God or humanity realises something is so wrong and sinful that 'holy anger' is the first and right response. At its best in the scriptures this anger leads to justice, making things right. Spotlight is an occasion for holy, righteous anger and every adult Catholic should see it.
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AUSTRALIA
- Ellena Savage
- 22 January 2016
4 Comments
Where does this need for punctuality, performance and productivity arise? I don't believe it is rooted so much in 'western culture' as it is in capitalism. There is, after all, time for many kinds of dithering in the literature that charts western society. Socrates could barely tie his own sandals — he'd never make his job network meeting on time. Hamlet is entirely premised on the drama of procrastination: some things, like killing one's paternal uncle who is also the king, seem better fit for tomorrow.
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ARTS AND CULTURE
- Tim Kroenert
- 14 January 2016
If you're going to apply a blowtorch to an institution as wealthy and litigious as the Church of Scientology, you might best be advised to first apply a magnifying glass. Alex Gibney details the dark side of the movement: its dubious tax-exempt status; allegations of psychological and physical abuse of current members and harassment of former members. But he is equally interested in unpacking the nature of belief in Scientology: what draws people to it, and also what drives them away.
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