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The enjoyment of the holidays did not soften the mayhem and malice of the public world and the people whose lives and happiness are so destroyed by them. It held in mind the images of death and diminishment, but set them on a canvas of thanksgiving for the ways in which kindness and humanity are embodied in people's lives, for the strength and delicacy of relationships that we take for granted, and for the gift of a beach holiday that is an impossible dream for so many Australians.
We packed our bags in the black of an early morning. We ran from a house on the beach to a house in Frankston. Me, my mum, and my younger brother. My father had four intervention orders to his name, a law degree and all the bravado and lack of empathy typical of a perpetrator of domestic violence. For many women and children domestic violence doesn't end after you've run away. That is only the beginning. I'm 33 and I've been running away from my dad ever since I was 11.
To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.
It is hard to overstate the sort of things that become permissible when the dominant political culture appeals to our darker nature. Take the cascade of brutality in the Philippines, or the stream of hateful incidents in the US. In Australia, white supremacist groups staged 'victory rallies' after the US election, and posters appeared last weekend at Melbourne University telling 'dunecoons, shitskins, niggers, chinks' to get out. This permissiveness isn't just about Trump, though he is a catalyst.
Cricket games, feasts, the origami orgy of Christmas present wrappings rent asunder ... the underlying truth in all of this, for many of us, is deep emotional pain and loneliness that's gone unheard, unnoticed, all year. Family is both a lodestone and a millstone at Christmas. It's a truth magnified by aspirational love. As Pope John XXIII once said, cutting close to home, 'Mankind is a great, an immense family. This is proved by what we feel in our hearts at Christmas.' It's a big ask that carries a price.
One distinctively Catholic practice is personal confession in which an individual confesses to God their sins and seeks forgiveness in the presence of and at the hands of a priest. Some groups and individuals are proposing to the royal commission that the seal of the confessional no longer be inviolable. I was quoted in The Australian saying, 'If a law is introduced to say that a priest should reveal a confession, I'm one of those priests who will disobey the law.' Being also a lawyer, let me explain.
One of the weaknesses in our society is its lack of effective regulations governing the marketing and availability of alcohol. A second is the ready availability of pornography, as many young men learn how to behave towards women from sadistic and explicit pornography. In the case of the lack of restrictions on the availability of both, churches concerned to respond to domestic violence will need to meet the libertarian objections to regulating profitable business and individual behaviour.
'No matter what the economic, political and legal problems confronted by modern day India, our response can be improved by an application of the key principles and norms developed in the international law of trade and human rights, helping to enunciate the realm of law, regulation and political accountability, enhancing public scrutiny providing the right environment for doing business.' Frank Brennan presents the 25th JRD Tata Oration, Xavier School of Management, Jamshedpur, India, 26 November 2016.
The 'men's rights' documentary The Red Pill has been pulled from Melbourne's Palace Kino cinema, sparking debate over censorship and what constitutes partisan reporting. The men's rights movement holds that 'feminism has gone too far', to the point that men are discriminated against. Since the internet and the third wave of feminism, the majority of MRA groups seem to be little more than a veil for misogynists to legitimise their sexism. It's a shame, because there are some MRA groups who raise real issues.
Labelling it a 'domestic violence epidemic', Mundine questioned whether Indigenous parliamentary ministers were adequately advocating for Indigenous peoples. His remarks were ironic given that, as Linda Burney points out, 'these things have happened on his watch'. Without government funding to support grassroots, community based early intervention programs, family violence will continue. In particular, how those programs are actually being funded should be reviewed.
In one scene, as Taylor and Davis argue, the dialogue comes down and the score comes up; her voice is literally taken from her. When Davis then physically assaults her, the message is clear: his music and his violence are notches on the same spectrum. This conflation of creativity with destructiveness is a typical error of mainstream biopics about great artists who were not nice people. Yet applied in the context of spousal abuse it is not only specious but ethically dubious, even dangerous.
We all know elderly people who are healthy, active, and blessed with loving families. But the image represents only part of the reality of old age. Many elderly people are ill, have lost their partners, live alone with little connection to their families, suffer from incipient dementia, and are dependent on others for the daily business of living. If they appear at all in the media, it is usually in bad news stories. They are seen as people different from us. A significant minority of older people, too, suffer from abuse.
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