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The news of Musk’s $44 billion dollar purchase of the platform was met with paroxysms of excitement or hysteria depending on where one sits on the political spectrum. Everyone had something to say about it (including Eureka Street). Considering the corrosive state of public discourse over the last few years, which has at least in part been influenced by the algorithms driving social media platforms like Facebook, Twitter and YouTube, I’ll be upfront in saying I’m not especially convinced of Twitter’s status as a social good. So, this development is at least deserving of some curiosity.
It seems every fifteen years or so Eureka Street has something to announce. There was 1991, when Eureka Street launched, 2006 with the switch from print to digital, and now, the next chapter in the Eureka Street journey. After 15 years of being a free digital magazine, we are quietly overjoyed to be launching Eureka Street Plus, an expanded content offering for paid subscribers.
Edward Cole understood that books encouraged community. The businessman could rub shoulders with the tramp in his Arcade. Now, in an age of division and isolation, more than ever we need spaces which facilitate community; light-filled cathedrals dedicated to the love of knowledge and stories, and their power to cross borders, politically, ideologically and culturally.
Elon Musk’s proposed hostile takeover of Twitter will be a fascinating battle that will have consequences far beyond the stock market. It is exposing just how financially strange social media and conventional media have become.
As part of the 30th anniversary of Eureka Street, we're running conversations with the team who first started the publication in 1991, alongside various people who have played a part in the Eureka Street story. In this video, Eureka Street editor David Halliday speaks with Ray Cassin.
While we have been (barely) coping with a pandemic and natural disasters, the death of a larger-than-life figure like Shane Warne — an ordinary-bloke-cum-sporting-legend, an ever-present companion to Australian audiences, and seemly untouchable — has really brought home the fragility of life. It has drastically reminded us of our mortality: that we don’t live forever.
Today we see a resurgence of digital tribalism, a glorification of disingenuous engagement online and humiliating those of a different perspective. Everywhere we see simplistic and belligerent narratives of ‘us versus them’ over more nuanced explanations that might impart a greater sense of shared humanity and common purpose. So what happened?
I was invited to read the poetry at Eureka Street by Morag Fraser, sometime in the mists. She shouted me coffee at the Chinese place across Victoria Street from the magazine’s Richmond offices. That was nearly twenty years ago. As we crunched on fortune cookies, she popped the question. I’ve been editing poetry at Eureka Street ever since and have only chosen to let go of the job this summer.
Instead of retaining its control of a fruit market, or preserving an oil monopoly, Facebook harnesses another resource: data. Any regulator or sovereign state keen to challenge the way the Silicon Valley giant gathers, monetises and uses that data will face their ire.
As part of the 30th anniversary of Eureka Street, we're running conversations with the team who first started the publication in 1991, alongside various people who have played a part in the Eureka Street story. In this video, Eureka Street editor David Halliday speaks with Morag Fraser.
Generations have historically operated in separate spaces, consuming, and interacting with the news differently. But social media has arguably deepened generational silos and echo chambers, altering our perception of world issues and most frighteningly of each other.
How do I assess our Plenary Council thus far? Or make sense of its related word-of-the-moment, synodality? With apologies to Churchill, dare I hope it is the ‘end of the beginning’? But of what precisely? A priest-friend distilled the challenge rather well last week to me: what would success look like?
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