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This royal commission has changed the public response of religious institutions, not their culture. Nor has it altered the culture at the political pointy ends of state, territory or national government. The cause of the misuse of power over children was our refusal to take a child's world view as seriously as our own adult priorities.
The results of recent surveys concerning sexual assault and harassment in the Australian arts are appalling. Post-Weinstein, this feels like a reckoning of the creative industries. Despite the increased awareness, many are asking how we can possibly change the entrenched culture of harassment and discrimination.
Much artistic response to the environmental crisis is negative , either criticising the excesses of the present, or predicting destruction in the future. Where are the positive stories of a new, sustainable culture? This is the greatest contribution art can make, yet for every vision of a better world there are a hundred bleak dystopias.
The phrase 'no means no' has been bandied about for so long that is has become almost cliché. For many years, it was a great tool for explaining the basics of consent. If someone says no to something, don't do it. But 'no means no' is a tagline, not the start and end of the conversation, and there are obvious gaps in a 'no means no' framework.
In the 16th century it was the Dominican friars like Vitoria, Las Casas and Montesino in Salamanca who confronted the state and challenged public opinion about the rights of the indigenous peoples in Spain's newly colonised lands. Not even the most nostalgic and forgiving Jesuit would opine that the modern practitioners of Morality with a capital M challenging the powers of the market and the state would be found in a modern monastery.
So considerable are its strengths that Blade Runner 2049 is a future classic, to be discussed and dissected for decades. That it will become so while blithely reinforcing the primacy of the white male gaze in popular culture is to be regretted.
There's storming the barricades, and there's storming the pixels. Critical race activism in the 21st century can take on fascinating forms. A great recent example of this is the destruction of Confederate monuments in the United States, and the debates and actions surrounding these events. They generated larger conversations about culture wars and re-ignited the cycle of argument around historical authenticity, heroism and - dare anyone say it these days? - truth.
The Melbourne Writers Festival (MWF) starts on Friday 25 August. It’s a good time to consider what such a festival says about our local cultures, as well as being a perfect time to think about how you relate to that culture.
Dr Massimo Faggioli is a prominent Catholic historian and theology professor at Villanova University in Philadelphia. He shares insight into the conservative responses to Pope Francis, the papal shift toward a less abstract understanding of being Catholic, and the political binaries within the US Catholic Church. He also explains why Vatican II is not just unfinished business but an orientation and method for doing things.
The short answer is 'no'. There is no single Asian Australian culture, just as there is no single 'Australian culture'. As well as an unfortunate tendency to flatten differences, trying to talk about particular groups can serve a broader political and cultural project. I run a research network focused on Asian Australian Studies. The topics we cover strive to give depth and detail to otherwise stereotyped, shallow representations of Asians and Asian Australians that surround us.
An interesting aspect was the shift in the mindset and understanding among non-indigenous Australians regarding Aboriginal rights. To note the way in which one dominating western culture moved toward recognising the rights of another culture that was oppressed by it is quite remarkable. We should consider those aspects of the mentality shift (from both cultures and their understanding of what the 1967 referendum meant) if we are ever to revisit that type of federal movement again.
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