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Three teenagers are lured into the midst of a demented cult waging a brutal crusade against society's sexual profligacy; the Westboro Baptists re-imagined as violent extremists. This is not the first time questioning Catholic filmmaker Kevin Smith has had a go at religion.
Hatred against paedophiles and fantasies of violent retaliation are stoked by gossip around dining room tables. Snowtown portrays the evil that humans are capable of under mundane circumstances, and the devolution of morality when it is nourished by sick ideologies.
Doug experiences for the first time guilt and empathy for one of his victims, as Claire confides in him the trauma of her kidnapping. It awakens in him a desire to be redeemed from his previous life. But redemption must be earned.
The decision by a Swiss judge not to extradite film director Roman Polanski to the US has again triggered the debate about how artists are treated by the law. The case has been running simultaneously to that of Russian musician. The parallels are striking.
The pastor terrifies and humiliates his adolescent son with tall tales about a painful and fatal illness that can be contracted through masturbation. We are led to believe such secret acts of parental abuse lay at the core of the more public crimes that occur in the village.
Tony is the working class underdog battling to excel in a sport dominated by private school boys. The temptation for the poor westie Tony to engage in petty crime is a cliché too far, but does help to highlight the social structures that define Tony's world.
From the moment of Malik's imprisonment he finds that if he is to survive, he needs to choose between conflicting evils. His Muslim roots appear from time to time, but while these moments lend transcendence to the film, they give no moral credence to Malik's actions.
The boys of Lebanon have found a niche in Aussie pop culture. Several recent films deal with Arab-Australians as the 'other', examining the extent of their assimilation, the codes they live by, and their functions within a 'tolerant' society.
Eventually the Vatican will have to stand in solidarity with the victims of abuse. The Church is capable of acting well and badly. To separate individuals from the Church diminishes the responsibility of the whole body.
Let's face it, caricature is easy. Rhetoric that links bikies with terrorism and organised crime makes for sensational news, but good journalism demands more than that. So does compelling storytelling.
In 1974 French acrobat Philippe Petit balanced mortality and destiny on a wire between New York City's Twin Towers. This documentary imbues Petit's dizzying, existential quest with the dramatic tension of a bank heist.
Satisfaction takes place in a high-class city brothel, where demand is high and prices are higher. But it's more a matter of 'normalise' than 'glamorise'. The workers' everyday conflicts are exacerbated by the nature of their profession.
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