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For a nation with such a significant convict history, Australians take a peculiarly puritanical approach to prisoner welfare. Punishment, not rehabilitation, is often viewed as the point of the justice system. We take a very dim view of anything that could be construed as a prisoner perk. One such perceived privilege is access to the internet.
Architecture is not my strong suit, but I admire the beauty of walls and ceilings, the decorations, and the idiosyncrasies such as little sculptures invisible to congregations and visitors, but made in faith that God could see them. The history, the thought of generations of worshippers, the numerous associations: these are other things that fascinate.
Budget 2019-2020 makes a lot more sense when interpreted in the light of Scott Morrison's first speech. Like most first speeches, it's about how his personal values manifest in his political actions. And what those values expose about the current prime minister's understanding of Australian history is quite telling.
The South Australian Museum is rectifying slivers of colonial damage by repatriating the remains of over 4000 Aboriginal people to their communities. This will be welcome news for Aboriginal communities, but also a reminder of the need to lobby against policies that deprive them of the right to a dignified connection with their ancestors.
What do Indigenous and Muslim Australians have in common? They are the foil against which normative White Australian identity is contrasted. The latest group to join them are African migrants, subject of a new campaign of fear. Because the stories we tell ourselves can change, one day there might be one that honours all of us.
For too long, the media has been complicit in maintaining the conditions which allow the likes of Cottrell and Hanson to become 'figures'. They fuel history wars, demonise migrants, target Aboriginal activists, objectify and ridicule women while ensuring at the end of the day, the Murdochs and Packers of the world still have hefty pay cheques.
How do we make sure galleries, libraries, archives and museums are truly inclusive in the stories they tell? Nathan 'Mudyi' Sentance grew up on Darkinjung country in New South Wales. He works to ensure that First Nations stories are being told and controlled by First Nations people.
For the good of the refugees who have languished for five years on Nauru and Manus Island, and for the good of the Australian body politic, it's time to put an end to this inhumane chapter in Australian history. Keep the boats stopped. Bring New Zealand into the mix now. Empty the camps. And fight your elections on matters of substance.
For Japanese Australians, the connections with Australia's war-time history continues to be particularly fraught. Whether they are early or more recent migrants, Japanese Australians have many narratives and expressions of complex identities that are now gaining voice.
If the powers that be are not keen on protests while Australia is on the international stage, the answer is simple: stop demonising Indigenous people and using our children as cannon fodder. You're not listening if you continue showcasing us on your terms while dismissing our political voice, denying our presence and erasing our history.
The repository of a superfluity of victims' faces and their heartbreaking stories leaves visitors questioning how it is possible for a country to turn on its own people like that. Why do humans turn into killing machines at the behest of their leaders, and when will we allow it to happen again?
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