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Anglican priest Michael Lapsley lost his hands to a letter bomb during his resistance to apartheid in South Africa. His story raises questions of how white South Africans responded to what was being done in their name. Many people working with asylum seekers in Australia today ask a similar question.
My last visit to South Africa was in 1989 when apartheid was in its death throes. The only difference between then and now in the gap between the poor (mostly black and so-called coloureds) and rich is that some blacks have become the 'nouveaux riches' of the new South Africa.
I clearly remember what I was doing the day Nelson Mandela walked free from prison. The behemoth apartheid state shifted so thoroughly and so smoothly that even the erratic events of the past 20 years have done little to diminish South Africa's reputation as a miracle nation.
Are we to accept that the inspiration of sporting victory is alone sufficient to solve conflict and soothe the way to redemption and rebirth for a divided nation? If so, it must be said that Eastwood's film is history rendered as a fairytale.
The performers, in white-face make-up and baggy trousers, have two minutes to catch a driver's attention and elicit a few rands. Their skill is as remarkable as the cultural and racial ironies of their performance.
Despite the best wishes of many, we are yet to resolve the injustices that have resulted from White Australia's brand of apartheid. As Disgrace reveals, reconciliation is more than words. There is much fear and anger to overcome.
Zimbabwe's struggle for freedom took a wrong turn when Robert Mugabe opted for a strategy of vindictiveness. Recently Australia's 'father of Reconciliation' Pat Dodson identified the secret of Nelson Mandela's success in building the nation of South Africa from the ruins of the apartheid regime: Love your enemy.
Former South African Supreme Court Judge, Justice Laurie Ackermann spoke recently about how he struggled with his judicial role under apartheid.
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